Ep. 61: The Stolen Century - Chapter Two/Transcript

Episode 61 The Stolen Century Chapter Two



[Theme song plays]

{1:57}

Travis: Okay, but first, Griffin, I have a very important question that I should’ve asked at the end of last week when—

Griffin: Is it about your fucking hard candies, like what sort of flavours did you bring? Or... [crosstalk] It was— It was, wasn’t it?

Travis: [crosstalk] Well, shit! Well, fine.

Travis: Well, I mean, not with the flavours, but.

[Justin laughs]

Griffin: What did you want to ask about your hard candies?

Travis: When everything resets, do I have my supply of hard candy back?

Griffin: Um, no. Sadly no.

Travis: [crosstalk] What?!

Clint: [crosstalk] Aww.

Griffin: No. So let’s actually go over. Um, We’re going to start things out on cy—

Travis: This is bullshit!

Griffin: I’m so sorry.

Clint: [chuckles]

Griffin: We’re going to start things out on cycle number eight. Like I said, we’re gonna kind of skip ahead. The last one- the animal kingdom was cycle number one. This is cycle number eight, and in the past few cycles the seven of you have worked out some of the rules of this journey.

To Travis’ point, for some reason whenever you’ve crossed out of the boundaries of your own reality, your, like, your existence, like, your very being, was stitched into the fabric of all realities. And it takes Lup and Barry, like, a whole cycle of working together to figure this out. They spend countless nights hypothesising and testing theories to this effect. And basically what you realise is whenever you cross into a new reality your physical forms are brought back to— what Lup and Barry call— your recorded state. Just literally, like, how and where you were when you first left your homeworld.

Some other things you realise, just by, like, going through these cycles a few times is you don’t choose what realities you come to, and you’re not exactly sure what does choose it. And also you’ve seen this now— I guess, seven times up to this point; whenever you enter a new reality, a few days later, the Light of Creation descends at a random point in the sky and falls and then a few days after that, that dark force, um- which Lucretia actually comes up with the name for- the Hunger, just locates the plane that has the light of creation in it and then about a year later the Hunger arrives in proper.

And once it arrives, one of two things happen, either it assaults the plane as it scours it looking for the Light of creation, or once it has the—

Travis: [crosstalk] Or it peppers it!

Griffin: Oh geez. Uh, or it—

Justin: Oh golly.

Griffin: —if it collects—

Clint: That was not me, that was not me mainly—

Travis: Well, it was kind of you. I would say it was your influence after thirty three years.

Griffin: Yeah I would say it’s by proxy. Um, if it finds the Light of Creation though, it uses it to absorb the entire plane, adding it to its— its mass. Um—

Travis: So Griffin, have we, have we yet in any of these cycles been able to save a plane or protect a plane or do anything to change—

Griffin: So you. Yeah, if you—

Travis: — the plane being destroyed?

Griffin: —a couple times now you, uh, didn’t do it that first time. The Hunger, you all remember, descended on the animal kingdom—

Justin: Didn’t go great.

Griffin: —uh, collected the light and absorbed the Animal Kingdom plane, which, um, I guess mechanically speaking but also narratively speaking means the Hunger like, has, that plane now. And everything in it.

But a couple times though, you have recovered the Light. And you’ve managed to leave the, leave the reality you’re in with the light and then the Hunger goes and attacks the plane, looking for it, but doesn’t, doesn’t, um, doesn’t find it and so eventually it gives up and kind of chases you down, and it doesn’t absorb that plane, uh, it fucks it up a little bit, but it ultimately, you know, leaves it, leaves it be and chases you down. However, whenever you leave a reality with the Light, whenever you escape with the Light of Creation, once you cross over into that new reality, you don’t have it anymore.

Justin: Right.

Griffin: And a few days later it follows you down and you have to find it all over again.

So I’ve been using the term ‘cycles’ because that’s, like, kind of what it is. You have a year here to, um, find the Light, to learn about the Hunger, to empower yourselves to maybe one day take down the Hunger. Um, and if you don’t find the Light in one year and escape with it, the Hunger uses it to consume that world. Which means it’s basically the end of that world and also the Hunger just got stronger.

Um. So! Also, like, this mission is- It’s tough, right? But you are emboldened by one important fact. And that is if you die while carrying out this mission - it doesn’t matter. As long as someone escapes on the Starblaster, you’ll all be revived, uh before- before the next cycle. Um, so with that in mind-

Justin: But we’re dead for that year, right?

Griffin: Yeah, yeah.

Justin: Okay.

Griffin: Which isn’t ideal I imagine.

Justin: No.

Griffin: I know that was a lot, but again - a hundred years. Here we go. This is cycle number eight.

So each reality up to this point has been as diverse and kind of fantastic as that animal kingdom you encountered first up. And here in the eighth cycle you encounter possibly the strangest world yet.

Your flyover reveals a world where 80% of the land is covered in these gigantic bioluminescent mushrooms, that glow in bright neon hues at night. Um-

[Background music starts]

Travis: Important question.

Griffin: Yes please.

Travis: Is it- is it a lot of little mushrooms or just a couple giant ones?

Griffin: I mean it’s- I mean it’s millions of very big ones. Covering like 80% of the land on this planet. Um…

Travis: Okay.

Griffin: It’s almost always raining in this- in this world which kind of gives the lights cast by these mushrooms a sort of hazy effect.

Lucretia is particularly taken by these mushrooms. She’s always sketching these vivid illustrations of them in her journals, which again she was-

Travis: With dancing teddy bears around them and-

Griffin: Yeah. Uh, again the little Ziggy cartoons.

Um, and these towering mushrooms are also emitting this thick cloud of spores that Davenport is hesitant to kind of bring the ship down into, but you swear you can occasionally see through the smog. You can see the world below and you see these figures moving through the spores. The rest of the land - the land not occupied by mushrooms - there are a few settlements in that land.

And they are entirely occupied by smaller races like Halflings, and Dwarves, and Gnomes, who eke out, like kind of a harrowing existence in this world. They have these staggered fences of these bonfires that surround their tightly packed villages. Most of them wear these makeshift masks to keep from breathing in the spores, which you learn are - without exception - fatal when inhaled.

They have these scorch teams that go out every night just hoping to burn back the forest to stave off being overrun, but it’s an uphill battle because the forest is always producing more spores. And you learn that this fungus is being cultivated by living human-sized mushroom beings that wander the forest during the day.

So you’ve kind of been accepted into one of these small settlements, and outfitted with the - all seven of you are outfitted with these masks. And after a few days, after arriving, the Light of Creation falls so far away you just barely see its trail over the southern horizon. And wherever it landed it is far, far beyond the border of the mushrooms. And then a few days after that, the Hunger’s scout finds you. So you have a year. What do you do?

Travis: So, I was thinking about it, and I think… Magnus, as far as like, process of elimination and kind of having experienced this, I—I would be waiting on the ship for the Light of Creation, and as soon as I saw it, go.

Griffin: Okay.

[crosstalk]

Griffin: Yes. The problem with that—the only problem with that—you tried it probably a couple of times at this point? Um, because of, like, the curvature of the earth, there’s no guarantee that you’ll see it, right? Like if it falls on the other hemisphere, you just might not see it. And that’s kind of what happened this time.

Like, you know kind of, it’s to the South? But it fell, like, so fast that it’s like, basically all you know? Also, the like—the spore, like, thickness is so thick that it’s not one of those things where you can just, like, fly around and eyeball it. You get the impression that, like, if you wanna find this thing, you’re gonna have to, like, get in there, but that expedition is going to be kind of—kind of difficult.

Travis: I see.

Griffin: If you wanna go looking for it, I’m—absolutely do it, I’m just telling you like… flying, flying and trying to catch it out of midair is, like, not, um…

Travis: No-no-no, not catch it, but I figure head that direction, at least. To save some time, you know what I mean?

Griffin: Yeah. Um…

Clint: I think Merle is going to stay this time, in the settlement. If these—these poor creatures have such a harrowing, awful life, he’s going to stay there and try to bring them some… some spiritual enlightenment. Not really specific, but just kinda like, to be a beacon of hope and to, you know… kinda teach them some kind of life lessons and give them some confidence and…

Griffin: Okay.

Clint: You know? More like—more like vacation Bible school, than like… church.

Griffin: They don’t—so they… This settlement doesn’t have— Give me a name for this city.

Clint: Uh… F-F-Fungus… ton. Funguston!

Justin: Mushroom Kingdom.

Griffin: How about just Fungston? I don’t know that they would, like, celebrate the fungus, but I-I think that they definitely don’t have, like… church? So like, you would have to—This would be you building a church, I think, and like starting a congregation—

Clint: Right!

Griffin: Which, like, I’m curious like, why Merle would do that in a world that he knows, in a year, he will not… be in? Anymore? Not that I’m saying, like, don’t do it, but like I’m curious like what Merle’s thinking.

Clint: Well, if he starts so—If he starts something— You know, these people don’t know they’re gonna be obliterated in a year, right?

Griffin: Okay, um—

Clint: Why not give ‘em some hope for the time they’re here?

Justin: That’s nice.

Griffin: Okay, let’s say like, you start this— this— this church, by like growing a congregation. I think this is just you like in the town square, like, fuckin’… doing your thing, right? Like, proselytizing? Standing on a soapbox and like, doing your stuff. So maybe roll plus Heart, and… we’ll see like, generally how well you do at that.

Clint: …’Kay, so that’s rolling the two? Correct?

Griffin: Yeah, 2d6 plus two.

Clint: Okay. [dice roll] 5, and 3… that’s 8, plus 2 is 10.

Griffin: 10, so remember, 6 or below is a failure, 7 to 9 is a mixed success, and a 10 plus is a complete success, so like… Yeah, I think everybody kind of gets in— on board. Yeah, they actually build, like, a church… building? That is… I- I think that they haven’t been so interested in expanding their town as much as they have been, like, just… “man, we just gotta fuckin’ survive,” but you kinda give ‘em a bit of hope, in the form of this church.

So they actually build this big, grand, wooden cathedral, that I think probably repurposes some of the… the less sporous mushroom meat? So there’s like a little bioluminescent thing going on there. And sure enough, like you get this settlement of Fungston real, real into Pan. And…

Clint: So this is the First Church of Fungston.

Griffin: This is the First Church of Fungston. I mean, maybe they had church before, like, this fungus took over the world. Um, so… I’m gonna say take plus 2 bond? Just to represent your, like— you’re probably an unofficial leader of this town now. And I will also say, like, if anybody does anything about, like, going into the forest or whatever, or anything that you might need these townsfolk’s like help with? They will— they will go with you, because they are like— they are feelin’ the seven of you now.

Travis: I think I’m sticking— I think, for Magnus, if finding the Light of Creation protects the plane, that’s what I’m doing. Plus, it gives me something to do that feels—

Griffin: Yeah, sure.

Travis: —like, adventure quest-y, that feels actionable.

Griffin: Okay. How do you want to go about that? And Taako, if you have something you want to do to this effect, like, there’s no reason y’all can’t, like, work together? Um.

Justin: Yeah, well, let him— let Trav go ahead and start— [unintelligible]

Griffin: [crosstalk] Okay, cool.

Travis: Um, I think that… taking the ship in that general direction at least to cut down the time is good. I would need someone with me, to stay with the ship, because that seems like— making sure the ship is available for when the Hunger shows up, like, it needs to clear the plane for any of this to continue. So if I die on the quest…

Griffin: Yeah.

Travis: …The ship still has to get back there.

Griffin: Yeah, I mean, that’s a strategy you guys have probably employed, like taking turns just being like, “alright, for a year, you live in the fucking ship. And if the Hunger shows up, you have to keep us alive,” basically.

Travis: Have— Also, Griffin, have we in these cycles been able to, like, figure out any way to like, magically or scientifically track the Light? In any kind of effective way other than just, like, wandering around?

Griffin: I mean that’s up to… It hasn’t happened yet, but like, if one of y’all wanna spend your turn— I don’t think that you would be the best candidate for that. Um, but if— [Justin: Mhm.] If you wanna spend your turn on one of these things, working on that, then- then yeah, for sure.

Travis: [pause] Uh, like you said, I don’t think that’s really Magnus’ deal. I mean, I might ask Barry to work on it later, but— um. I think… I’m gonna see who wants to pilot the ship with me, and I’m going looking for the— I’m going looking for the Light.

Griffin: Okay. Um, I’m gonna ask Taako what he wants to do, because that feels like kind of, like, maybe one of the later things that should happen? I kind of envisioned this round being like folks working together to like prop up the expedition before it sets off, and it sounds like you wanna go on this expedition. So, um, Taako. Can I ask what you wanna do with this year?

Justin: Yeah, I’ve got a fuckin’ genius plan, an’ I’m gonna fix everything.

Griffin: Okay.

Clint: Yeah!

Justin: Come close, Griffin.

Griffin: I’m—

Justin: ‘Cause I’m about to blow your game wide open.

Griffin: [monotone] Oh, no.

Justin: I’m gonna make… a fake Light of Creation.

Griffin: Okay.

Justin: I’m gonna spend this year like, uh- like a Survivor contestant on their last legs, crafting a false hidden immunity idol. I’m going to craft, to the best of my ability, a fake Light of Creation. A decoy, if you will.

Griffin: Alright, now that I know what you wanna do, I actually think Magnus’ thing should go first? Because the way, I think, we rectify this is… you can do that, if you have, like, the Light of Creation on hand right now? Which you— which you don’t, but if Magnus can get it back, then— yeah, go- go for it. Otherwise, I think you’ll be at kind of a disadvantage working on this.

Justin: I can start work on the— getting the papier-mâché [Griffin starts laughing] and some of the chicken wire in place. Well, maybe not get all the details right away, but like— I think I can definitely get that far.

Griffin: Okay. Um, do you enlist anybody’s help on this? Or is this a solo project?

Justin: This doesn’t seem like it would be Lup’s jam? But I feel like she would probably hang around… and- and help-

Griffin: [crosstalk] Yeah, she’ll- she’ll hang out. She’ll hang out and just sort of keep you company.

Travis: I feel like I would love Cap’n Port and Barry’s help on this. I think, like, science and, like, pilot is going to help me track this thing?

Griffin: Um… Yeah, Lucretia wants to come too. Just because, like— This expedition seems like it could be worth telling a story about? Like, she wants to come into the forest with you, and not be the one that stays behind on the ship.

Justin: Would- would- Can I ask, Griffin, would Lup… would Lup wanna go with them?

Griffin: Um…

Justin: It seems like— I mean, I dunno, like…

Griffin: It’s up to— It’s up to you. Do you want— Do you wanna ask Lup to stay with you, or no? Like that’s the way I—

Travis: [crosstalk] I will say— Okay, I as Magnus will say I would ask Lup to come with me if Taako’s staying behind. Because it- if- I think— Here’s the thing, if- It doesn’t sound like Taako needs help on this thing, and we know that getting the Light is kind of the end-all-be-all important mish? So it feels like all hands defend the ship, all hands find Light, [unintelligible as Justin talks]

Justin: [crosstalk] I wanna- I wanna ask— Oh, you were gonna say—

Clint: No, I was just gonna say that she also has shown the tendency to be able to track things, and… you know.

Griffin: Well, and also she’s an evocation specialist, so like burning shit is her whole jam. [Justin: I also-] Like, she’s the best at burning shit ever.

Justin: I would ask her to go mainly because if they’re… if they’re not able to get it back, if I wanna try this again, I would rather her—somebody who I know and trust—go, and get like a really good look at the thing, and get a sense of the magical energies and stuff like that.

Griffin: Okay. Um, so— Magnus, you are basically taking everybody with you except for Taako and Merle. And the townfolk want to help out too? There’s like a scorch team that’s like, particularly badass. They have, like, sort of these… low-fi, medieval flamethrower situations?

Travis: Do they- Do they have an extra one?

Griffin: Yeah, sure. They can definitely- [Travis: Hell, yeeeaaah!] They can definitely hook one of those up for you. So yeah, do you wanna take a—

Travis: [crosstalk] I want two! One on each arm!

Griffin: Um, they say no to that, it’s too— They say,



Travis: And then I pick up two of them.

Griffin: Okay, they are— they are blown away.



[Justin and Travis laugh]

Clint: How are you gonna pee?

Griffin: They say—



Travis: And then— wait, hold on— I- [laughing] I rolled an eleven!

Griffin: [resigned] Alright.

[Justin starts wheezing and laughing]

Griffin: You pee while shooting two flamethrowers in the air.

[Clint and Justin laugh]

Griffin: It’s a- It’s absolutely amazing. Okay, so I think this expedition’s ready to start. And Magnus, you say you just, like, wanna fly South and then, like, once you… How did— How are you feeling this out? Like, I think this may be a couple of rolls. So like, the first one is like ‘how do you, um… I think roll plus— Roll plus Mind, just as like a… a stage-setter of like, how close you s—

Travis: Can I count that eleven, or was that struck with—

Griffin: [crosstalk] No, that was piss. That was definitely the plus Piss roll.

Travis: Okay. Ah, man. Okay, well, it’s not ba— Well. Mm, it was an 8. I got 4 plus 5 minus 1.

Griffin: …Uh, okay, yeah. So that was a mixed, a mixed success. I think you- I think you land like kind of, kind of far away from it. And you know, you know it’s still South. Are you just, like, walking on foot or— do you think that this trip is gonna take, like— it’s a pretty big planet that you’re on? It would probably take, like, the rest of the year to- to get there, and get back. Are you like— What’s this trip through this deadly mushroom forest look like?

Travis: [pause] Um, well, like- okay, so here’s what would make the most sense to me. What would make the most sense to me is having Barry and Lup work together… Barry, Lup, and Davenport work together as far as tracking and triangulation goes?

‘Cause we may not be able to pinpoint it, but if we make short hops… It seems like what we’d wanna do is land clear spot, triangulate what we know about the Light to see if we can get kind of a bead on it, and then head in that direction. Short hop, check, short hop, check, rather than just going on foot? So I guess the first thing would be to see if we can get any kind of read…

Griffin: Yeah, sure.

Travis: …on- on the- on the Light.

Griffin: Um, so with that mixed success you got earlier- I’mna- I’mna use that. And also I got kind of a hard time from folks listening, who said that I wasn’t hard enough on you guys on mixed successes? Um—

Clint: [high-pitched] What?!

Griffin: Yeah, I mean- It’s a good point, and it’s a fair criticism, like this is supposed to be like you give something up in exchange for accomplishing the thing that you want to do? As opposed to a complete success being just you get to do the thing you want to do, which I was kind of doing for you last time, and a failure being you give something up and you don’t get to do the thing you want to do.

Um, so… I think that either everybody that you brought with you from the town dies, or one of the teammates that you brought with you dies. And you’re not- you’re not killing them, I’m asking you to make, like, a narrative decision here.

Travis: Oh, then it’s going to be everybody I brought from town. I don’t know their names. Why do I care?

Griffin: Okay. Um—

Travis: [interrupting, loudly] Oh, no, but now I feel bad ‘cause there’s gonna be people who say “but you guys regenerate! And the people from town won’t!” Oh no, Griffin. You’ve really put me in a bind.

Griffin: Yeah.

Travis: Uhhhhhhhh…

Griffin: Or! Or, or, or, or, I’ll give you this third option. You… By accident, you inhale some of the spores, and it’ll put you at a disadvantage for whatever the resolution is at the end of this.

Travis: Then I’m gonna take that.

Griffin: Okay.

Travis: Yeah, I’ll take that.

Griffin: Yeah, you just like- um- you like- it’s like one of those Survivor challenges where it’s just like “hold up a paint can for- until you die”. And it’s like easy to do, until you lose your concentration for a second. And I think like, one day you’re just like, getting ready for bed, and you lay down for bed, and you take your mask off. And you’re like, “what the f— why— what the fuck?” And you breathe in some spores, and from that point on—

Travis: Oh, I took it off to eat some hard candy. What was I thinking?!

Griffin: [amused] Yeah, it’s a very Boyland way to go.

Travis: Hard candy, how could you do this to me!

Griffin: But for the rest of the—

Travis: I’ll never eat hard candy again.

Griffin: For the rest of your trip, though, like, you are feeling shittier and shittier and shittier and shittier. And everybody else is like— The, um, the townsfolk actually like know some ways to like keep you going, but you are definitely much weaker, so you are not going to have your plus two Body thing. Which is a shame, because I’m gonna make you a-for your final thing, to represent your traipsing through this forest, roll plus Body to see if you make it to the Light.

Um, I think the triangulation method works, like they notice the mushrooms are getting bigger, and so they just think like: “Well, that's probably the right direction to go, like the Light would probably make these mushrooms grow more and more, so let’s just follow the path of the bigger bigger bigger mushrooms.”

But let’s see how you do.

Travis: C’mon baby, [Roll] Uhhm. And I dont have the +2?

Griffin: You do not.

Travis: Eugh, it’s a six. Gueeeuuugh.

Griffin: Mmkay. And nobody else came with you, right? Now this is gonna be tricky for me, because I don't know how to, uh, hmm…

Travis: Well I mean I brought-I brought help.

Griffin: You did bring help.

Travis: So it’s one thing if I fail, but I don’t know why everyone else would automatically fail.

Griffin: Um, okay, here’s how we’ll do it. Either… you recover the light, but you, Magnus, die, and you don’t get any, like, score improvements this round at all, or- uh - you don't get the Light and you do get score improvements.

Travis: Oh, I’ll die then. That's fine.

Griffin: Okay. So, yeah, you don't get any EXP this round, or anything like that, that’s the only way I can think to punish you, because you got really close, and I don't see any way that like the rest of your team doesn't get there.

So you, Magnus, like, one morning, they're really close to the Light, and they go to wake up you, and you’re just, you’re gone? And you were like up and about the previous night, and seemed to be actually like kind of on the mend? But they come and get you one morning, and you are just gone, and so I guess from the point of view of the rest of your party, who like, take some time, like this has happened a few times now, and it’s tough every time, like you're dead.

They know you're coming back, um, hopefully, but it’s still really tough, but the rest of your party and the remaining townsfolk make it to basically the center of the forest. And there they see the Light.

And while the Light itself is beautiful, the scene your party finds it in is kinda grotesque. The mushrooms around this spot have grown huge and nearly blinding, with all of their, like, neon tones, it’s like lighting this place up like Tokyo.

And, lying prostrate in a circle around this light are hundreds of those mushroom beings, who you've seen like here and there, in the forest, but usually they just run away from you whenever they see you.

Here they're all just, like, lying here like they died while worshipping this thing, they just laid down and gave up, and they're all kind of withered, and it's almost like they fell before the Light, but were unable to figure out how to wield it, so they just kinda bathed in its splendor, completely malnourishing themselves in the process.

So there’s no struggle as the rest of your party does collect the Light of Creation, and gets back to the ship and brings it back to this town that you were in. And Taako, I think this is like, there’s not much time left, but you do have the Light, so if you want to-

Justin: Yeah. Yes.

Griffin: -want to roll plus Mind, and tell me how this works, you like trying to recreate- you goofed about paper mache, I imagine it’s more sophisticated than that.

Justin: With what I have access to? I would be thrilled to have paper mache. [Griffin: Yeah.] And chicken wire, that would be amazing. I mean it’s basically-I mean I was using chunks of-well yeah. Let’s do this: I was using - carving - chunks of mushroom into the shapes that I needed-

Griffin: Okay.

Justin: -and then using transmutation- what is the- what’s the Light look like?

Griffin: It looks like, like a ball of the most beautiful light you’ve ever seen, and it doesn’t hurt to look at it; like it actually feels really good to look at it, but it’s really not like- it is tangible in that it’s light you can touch, but it’s not like an orb - it’s not like a crystal orb illuminated from within or whatever.

Clint: And you are talking about bioluminescent-

Griffin: Yeah, sure sure.

Justin: Yeah, exactly. That was my thinking. So, they’re bioluminescent. And I’m using, like, my magics to make ‘em more impressive-

Griffin: Okay.

Justin: So, uhm...

Griffin: Okay… roll, uh- roll plus Mind.

Justin: [Dice roll] So that is a… eight.

Griffin: Okay. Uhm, so that’s a mixed success. Uhm, uh, take… let me think. Take plus one asset. Right, like you made a thing… and, so you have plus one asset. But, again, like remember assets are abstract, so, like, you can spend it later to be anything.

Uhm, here’s how I think this resolves with the mixed success. You make it, and it’s, uh, you can tell - because you spent some time with both of these things, and also you know that it’s a fake - but it’s kind of, uh, clearly a forgery if you know what you’re looking for.

But, working with the Light in this way made you appreciate something about the Light that’s kind of unique and stands out in your mind, and that is that this Light, it really - it really wants to be wanted, if that makes sense. Like, this Light is giving off this, like… this Light is giving off this energy that, like, you can tell like it wants to be used. [crosstalk] And it wants-

Justin: It’s needy.

Griffin: It’s needy. Yeah, but, this, it’s… imagine that it’s, like, projecting out, like uh, like a beacon of sorts. It’s why like everybody is kind of entranced by it. It’s not just because it’s like beautiful and powerful, it’s because it is putting out this… this like, these waves of just like, desire. It wants to be desired, and so, like, you make this mushroom ball… look a lot like it, right, and you used your magic to make a pretty good forgery, but you can’t… you don’t even know how the fuck to make that happen.

Justin: Yeah.

Griffin: So when the Hunger comes, let’s do - get to the resolution - when the Hunger comes you all have the Light and you escape. What do you do with your forgery?

Justin: So, I, uhm… it’s not a guarantee that we escape, right? Like, if we have the Light, do we always escape?

Griffin: Uhm, yeah, you’re never gonna have to - Davenport is like a dope ass pilot, so like he gets you- if you’re on the ship and the year is up, you get away.

Justin: I feel like the best, highest use of my decoy - is there a way that I could use the decoy in such a way that I could limit the amount of damage that is done to this plane? Like… as in-

Griffin: Sure…

Justin: -because, I left it where they - I mean, I could send it to where - somewhere near where they found it initially, and hopefully by doing that I like bought this plane some time-

Griffin: Okay-

Justin: -so it couldn’t ravage it this bad, like, cause it was you know, tripped up.

[crosstalk]

Griffin: -sure, here’s where your mixed success comes in. This is how I’ll resolve that. While you’re flying away, you go over that mushroom forest, and one of the survivors points out, like, one of the - I should say one of the surviving, like, Lup and, uh, Lucretia, and Barry and Cap’n Port - they point out, like, about where they found it in the forest and you just, like, drop your forgery off the side of the ship-

Justin: Oh, great yeah.

Griffin: -and when you do, you see the Hunger kind of shift its position and drop one of those big, like, inky columns down, like, basically - literally - exactly where it lands. It drops a ton of columns, right? This thing’s the size of a billion planets, so it definitely has, like - it can do more than one attack, so to speak. So I think this planet does get hit a lot, right?

But you specifically see the Hunger go for the Light. And from that you intuit to things. One, it’s like, chasing this Light down. The Hunger is, like, pursuing the Light, in a way. And the other thing is that, pretty quickly, like, it retracts that column and you also sort of figure this trick is not going to work again. It didn’t, really - it fell for it temporarily, but it’s not going to - this dog won’t hunt twice. So that’s sort of -

Justin: Are you sure? Because - wouldn’t it be pretty fun to listen to me do that every time… [laughter] …are you sure you don’t want to - [crosstalk]

Griffin: So that was a cycle. Taako-

Clint: Wait a minute, wait a minute, can I - I think Merle would stay-

Griffin: Oh, okay.

Clint: -with the congregation. I really do, I think that there’s no way that he could justify leaving them with the darkness descending-

Griffin: Okay, so-

Clint: -after spending a year-

Griffin: -yeah, definitely-

Clint: -trying to build up their faith that there was life, you know, that there was an afterlife and everything else. So I think he would gather them, as many as he could, in the big wood cathedral. The big shroom cathedral, and sing ‘Nearer my Pan to thee’.

Griffin: [crosstalk] Yeah, uhm. I mean, you’re goofing - but this is a pretty incredible scene.

Clint: No, I’m serious, I’m serious!

Griffin: Yeah. You built this… you built this church, right? And you knew the Hunger was gonna attack, and if you got the Light, then they’ll survive it… but, like, the Hunger is still going to attack, so as long as they survive that attack... So you probably built it pretty fuckin’ sturdy, so I think the whole town is in this church when the Light comes and you decide to stay, to stay behind.

So you’re standing in front of this congregation, uhm, knowing like in a minute you’re gonna be taken away. You’re gonna be like pulled away and back onto the ship as it leaves this reality, uhm, so like do you wanna break me off a piece of, like, what you say?

Clint: Uhm, yeah. I think I would say “Brothers and sisters-”

Justin: Hold on one second, you wanna try a character voice? Just-

Clint: Yeah.

Justin: -you know, we don’t have that many episodes left. I’m just gonna put Dad’s Christopher Lloyd toy in front of him, [Clint: Thank you.] so he can visualize the fact that he has to do a character voice for our podcast.



Griffin: There’s a loud, loud boom from somewhere outside, and overhead.



Griffin: And I think they sing, like, a hymn. A Pan hymn that you taught them, and in this, like, really nice harmony. They probably didn’t sing much before you came here. But they are now, and they watch, sort of - and I think they… they survive - most of them survive.

Most of the folks in this town survive, and what - they survive the Hunger and I don’t know what’s going to happen with the mushrooms, but I think they talk about you for a long time after this, because as they sing this hymn they watch you kind of get pulled away - as you are sort of turned into these strings of light that are pulled up through the ceiling, and out of sight.

[church bells, religious song plays]

{The Money Zone, 34:25}

Hey everybody, this is Griffin McElroy, your Dungeon Master, your best friend and your… secret… santa. And I got that thing you wanted, but I can’t tell you what it is, ‘cause it’s a secret.

Commercial ends {40:56}

Griffin: Next cycle?

Justin: Boys in the house.

Clint: Yeah.

Griffin: This is cycle seventeen. So, it’s been a while. Again you’ve had some hits and some misses. For like, narratively speaking, I’m not going to have like any big ramifications for the cycles we didn’t play obviously because that would be kind of bogus. Again, a hundred years, abstractions, a lot of telling and no showing, and that’s where we’re at. But cycle seventeen!

So after several days of fly-over reconnaissance of this new reality, this new planar system, this new world, you’re about to, like, write this whole world off as uninhabited. Which is not, it’s happened before. You’ve just showed up to a world and there’s just been nobody there.

And in this world there’s just these ruins of this once somewhat advanced civilization, but all of these massive cities have long since fallen into decay. You don’t see another living person for weeks and the Light falls, the hunger comes and what’s worse— when the Light of Creation falls, like, you don’t even see it streak down from the sky. Like, Lup tries to triangulate it but she, like, says ‘It just fell on the wrong side of the planet.’

So, it leaves you like, a haystack nearly the size of a hemisphere to find this needle in, if you wanted to, and without any people to talk to, you don’t really have any leads to find it either. But, after several months of sort of searching and camping out in these derelict cities, you do find something. You find faint signs of life, from a peculiar set of ruins that must have once been a truly spectacular city some centuries or maybe even millennia ago.

Grass and moss have long since overrun it, but you can still sort of appreciate the complexity of its design. It’s got these tiered districts that raise up into the sky and lower down into this gulch below. And this gulch has been completely overrun; there’s a small river that just like falls into it now and it forms a waterfall that drops near the city’s edge and it’s completely flooded the lowest tier of this city.

It’s like a spectacular sight and it’s made more unbelievable by its inhabitants— which are all robots. All of them are walking bipedal machines. They don’t seem to be like specialized workers in the way that the homeworld you came from probably had some powered golems. As far as you can tell, the several hundred robotic inhabitants of this city are just conducting their lives like people. They have homes, they converse.

You do reconnaissance and you see them like mime eating meals, but they’re not like eating food. Some of them are married, they go on dates and they are congenial towards you. And they’re so emotive.

So after about, like, another month of Lup and Barry working together to try and triangulate the location of the Light, they declare it just a futile effort, there’s just too much ground to cover. So, instead you decide to spend your time seeing what else you can glean from this fascinating city. So how do you spend—

Travis: One: Awesome, thank you Griffin.

Griffin: You’re welcome.

Travis: Two: Have we been able to—

Griffin: [crosstalk] Travis-

Travis: -what?

Griffin: -I don’t if this has clicked with dad or Justin yet but Travis may have a distinct advantage in this cycle.

Clint: He can rip their arms off.

Griffin: Mmm.

Travis: No, not that. We’re in, we’re in TAZ: Nights territory. The tiered capital city.

Clint: Ooooh.

Travis: Griffin, have we been able to take anything? Like if we get stuff onto the ship with us—

Griffin: Yeah.

Travis: Does it travel with us to the next plane or does everything reset?

Griffin: Um… So, if you bring stuff— inanimate objects— it comes with you. That’s like, assets are exactly that, but… hm. Have you tried to bring a person on board, any of you?

Clint: That’s what I was wondering.

Griffin: I mean, I’m asking, I’m asking you.

Travis: [crosstalk] I mean, I would say- I would say that, like second time out. The first time we once again weren’t able to find the Light, I feel like we would, at the very least, try to bring... some people with us, knowing that plane would be destroyed.

Griffin: Okay. Um, you’ve— you’ve brought some people with you just to like say like, let’s bring as many survivors. And I think Cap’n Port was against this? Just, uh, like, his whole thing is sort of a cold arithmetic of - he wants you— as far as you know you’re the only people from your homeworld still alive and so like he doesn’t want to bring other people on the ship, who are going to complicate the mission in any way.

Um, he’s not like, cruel about it? But that’s sort of just how his mind works so he kind of, doesn’t want that to happen but you all, uh, manage to get some people on board.

Travis: I think the deal we would work out, Ditto, would be like it would be like they’re not— this is not a permanent crew change, that like we are just taxiing them to the next plane, doing something— [crosstalk]

Griffin: Yeah sure.

Travis: [crosstalk] —like trying something you know what I mean. To make sure somebody survives.

Griffin: But, and you had this argument and you got them on board, but, that— that— that time when you left the reality and you all sort of went through this reshuffling, those people were gone. When you broke through to the new reality. So you can’t— you can’t bring, um, you cannot bring people with you.

But! At the same time, um, at a later cycle, one of the ones I guess we didn’t cover, one of you realized that there’s a rat on board? And there wasn’t a rat— I mean this is fuckin’ spaceship, there’s not rats on board this spaceship.

But you figure like, it must have gotten on board while you were on one of these cycles and so like, lower life forms can come with you, but not like folks. If that is, uh— that’s a very...convoluted answer to your question, but—

Travis: Understood.

Justin: I have another question. If we don’t find the Light, does that mean that Griffi— Griffin is gonna destroy his brother’s reality?

Griffin: Um—

Clint: [laughs]

Griffin: This is— this is, uh, not— maybe not exactly TAZ: Nights, that’s the way I kind of thought about it. And also it’s thousands and thousands and thousands of— [crosstalk]

Justin: [whiny] Trav, Griffin’s gonna— Griffin got to do his show for so long, and now he’s gonna destroy [crosstalk] yours.

Clint: [crosstalk] Yeah he’s gonna break your whole reality.

Travis: [crosstalk] That’s okay.

Justin: [crosstalk] He’s gonna break your whole reali— Dad!

Griffin: [crosstalk] I did— I did ask permission.

Travis: It’s okay, boys, it’s alright. I’m going to make it so that in the next TAZ: Nights, somebody wakes up from a dream, and all of the Balance Arc was just a dream, don’t even worry about it.

Clint: [laughs]

Travis: Um—

Clint: And can we name the rat Templeton? [drawn out] Please?

Griffin: Um, it’s been, uh, like over a decade, this rat is dead. Sorry. [crosstalk]

Travis: Cool.

Griffin: [crosstalk] I think that’s how rats work.

Travis: Um, Griffin, I— I think...if— so— like, we are all to assume that, the light just ain’t happenin’ this time around. But, advanced technology, um, even— even if it is, laying fallow, um, if it is, you know. There has to be something that would help develop some kind of weaponry for the ship, or shielding for the ship. I would like to spend this round researching ways to fight. Um, whether it’s hand-to-hand weaponry, or ship weaponry, or what. I wanna be able to— I’m fuckin’ sick of running, is I think where Magnus is at at this point, in— in— in the arc.

Griffin: Okay what’s this look like. ‘Cause you mentioned a few things, are you trying to— um, ‘cause again I think it’s important that we try to dial down to like, one abstract thing that you can spend a whole year doing. So you mentioned, like, training? Or building weapons? Or...what?

Travis: Um, you know what? Here’s what I want. Here’s what I want, Griffin. Here’s what I want. I am inspired by robits and arms. And I want to— uh, figure out a way to have some kind of, uh, grabbing arm attached to the ship. So that, if we find the Light of Creation, we don’t always have to descend to the forest— to the floor, to get it.

Griffin: Okay, yeah. Help me— help me think of like, what this looks like, because it sounds like you’re gonna make a Mind roll? Like if you wanna like, build onto the— the ship, um—

Travis: Well here’s the way I look at it. I figure these robots already know how to do it. Like they unders— they must understand the technology. They must, like, be able to help me. So I don’t need to figure out how to build it, I just have to build it.

Griffin: Mkay. Um, that’s a fair way of doing it. Then I think this is a case of you working with the robots. And like, these robots, um, I— I can’t even tell you what you don’t know about the robots until I think you make, uh, a Heart roll. Um, to like, get to know them a little bit better— and I’ll count this also towards your like, convincing them to help you build the ship, thing.

Travis: Okay, Heart roll. [rolls dice] Hell yeah. Umm, it’s a nine? Nine.

Griffin: Okay. So mixed result, they, um, they tell you a little bit about themselves and they will help you, uh, do this thing, but it’s gonna take all— they’re— it’s gonna take a whole year, right? ‘Cause you didn’t get like— I don’t think you get everybody from the town to help you out with this— um, to help you out with this project.

Um, the way I think this works is, uh, it takes a really long time. Imagine that you’ve lived in this world of, um, robots, for centuries? These robots are centuries old. And then you see like, a flesh-person again. And it’s like, what the fuck. So that— that is— I use the word again because, um, there did used to be people here. They— they lived in this city, and this whole world was very vibrant, and this capital city was vibrant and alive too. And there was a lot of, um, there was just like a lot of culture and a lot of...people, living in this capital city. Um, but, a plague swept through the planet and it just, eradicated the— the world’s population.

And there were these— these two organisations, that tried to like fight it off, but they really were only trying to help out like, the best, and brightest, and richest, and most royal people in this city. But their efforts were in vain and ultimately like, they— I think they built like a shelter, but the shelter was unsuccessful. ‘Cause this plague was just so powerful that it— it took out everyone. Um, but there was a sort of, underground, organisation. Um, the name of which they’ve forgotten, it’s just been so long. Um, that—

Travis: Oh, it’s The Beasts of the Ring.

Griffin: Y-Yes.

Travis: I’m just— it’s The Beasts of the Ring. It’s the, it’s the Beasts. Okay.

Griffin: They manage to save people, uh the only that they could. The only way that, ‘cause— ‘cause, no physical like, um, organic matter was gonna survive this thing. Um, so they sort of, captured the spirits of hundreds of people, uh, in— in— uh, like a massive control gym, which folks can leave at will to inhabit these robot bodies, uh, in, in this city.

Um, and, so they like kind of, uh— you meet a couple of them that tell you— that— that— that sort of give you the score. Um, and, uh, there’s more that they don’t tell you, but that is, that is sort of what they clue you in to. And then they help you build this, um, this robot arm. What’s it look like and where’s it go on the ship?

Travis: Um, I’m going to— it looks like Tom— it’s looks like, uh, Crow T. Robot’s arm.

Griffin: Okay.

Travis: You know like a, like a desk lamp arm? You know what I mean.

Griffin: Does it— does it retract? Or is it always stickin’ out.

Travis: Oh, yeah, it retracts. It folds up on the belly of the ship.

Griffin: Okay.

Travis: Um, and then think, a uh, like a claw arm. You know like a, like a claw game.

Griffin: Sure. I think the best way for me to handle this is to give you, um, plus one asset. Just like, you have this dope fuckin’ thing now.

Travis: Okay. Works for me.

Griffin: Um, so you tell the other, uh, folks on the crew like what’s up with this, um, with this civilization. Um, and Merle and Taako, what do you wanna do?

Clint: I think I’m gonna go Fahrenheit 451 on ya. If this civilization is gonna be wiped out, and all of this society, all this culture, all these— this history, all these wonderful things, and it’s just gonna be wiped out for good… I’m gonna ask Lucretia to go with me.

And I’m going to use my persuasive skills to try to get as many of these robots to tell the stories of the— the souls that inhabit them. And so we can record it, for posterity. And while we may not be able to actually save the civilization, at least we’ll have the memories of it. And at least we’ll have the story of it to pass along to other people.

Griffin: Okay, yeah that’s dope.

Clint: AND, as part of that, we discover this— this thrilling story of these three adventurers, one a tavern keeper— [crosstalk]

Travis: Well let Griffin do it, hold on.

Griffin: No no no, no no no.

Clint: [crosstalk] —and one monk- No! This is my turn.

Griffin: Do it, yeah, fuck yeah.

Travis: [laughs]

Clint: One a monk and one a extremely handsome bard. And through their efforts, a magistrate is empowered, and goes on to rule with incredible skill and compassion and you— makes it a great civilization. And it all starts with that magistrate, who had an awakening— a moment where he realized, you know, I— this is not the way to go, I need to make this a better world.

Griffin: Mkay.

Clint: And so, as they go through this, they— they find all these— these paintings of this, handsome bard, and his… flunkies.

Griffin: [laughs]

Travis: This is all non-canonical.

Justin: [laughs] It’s out of reality.

Clint: And, well basically, while they cannot save the actual, physical civilization, they can save the record of it.

Griffin: I’m into it, yeah. So tell me if this is plus Mind, like you going around and doing this, or plus Heart, which I guess would be you working really close with Lucretia, um, this whole time. Which I’m— I’m— you know, into doin’ more stuff there.

Clint: UHhhHHh, I’m thinkin’, well, I’m thinkin’ Heart.

Griffin: Okay. Um and it—

Clint: I’m thinkin’ Heart.

Griffin: Okay. And, does that reflect you workin’ with Lucretia, or you like getting these stories out of these robots?

Clint: Uh, I’m gettin’ the stories and she’s takin’ ‘em down— [crosstalk]

Griffin: Okay, so I think it’s both, I think it’s both.

Clint: [crosstalk] Uh, but we are working— we’re working hand-in-hand, we’re working very closely. On it.

Griffin: Okay.

Clint: [rolls dice] Ehhh… three. Oh wait a minute, plus, uh, plus ahh... five.

Griffin: Um—

Travis: Do you have any assets, Dad?

Griffin: Yeah do you wanna spend an asset?

Clint: I got four bonds.

Griffin: You don’t have any assets at all?

Clint: Um, no I have not been awarded any assets. Unless it happened, in one of those other sixteen cycles.

Griffin: [laughs] I’m tryna decide if I—

Travis: Can I spend— can I spend, my assets on Dad?

Griffin: Yeah... I’m tryna decide if I wanna let y’all do that. I think it makes sense, right. Like I don’t want you to be able to do this with your other stuff, but for assets, yeah. I mean one of you is losing an asset to give it to somebody else. Um, so if you wanna spend it that way, then yes, Magnus, you can.

Clint: [sadly] Whatever you guys think best.

Travis: The— the— the reason that this is a hard decision Dad, is I don’t know, how, this directly benefits the mission. But— and so there may be a time later where we need that asset to like, get the Light, or—

Griffin: I will find— I will find a way to make it benefit the— the mission in some way. A minor score improvement for one of you benefits the mission.

Travis: So, okay, I’m gonna say that, I— having worked with the robots, you know, maybe they’re a little distrustful, and I, uh, and maybe I vouch for them— [crosstalk]

Griffin: Sure.

Travis: [crosstalk] and do the robot secret handshake with the big robot arm.

Griffin: What is the asset that you spend though. And it’s abstract. I can be literally anything that, like— what do you give a bunch of robots, or give to Merle to make him… you know? I need the narrative thing you can give somebody to get the thing you want.

Travis: Oh! I’ve got it! Um, having used, uh, the knowledge that I’ve gained from the robots about The Before Time, The Long Long Ago, I’m able to find, uh, an eyepiece, an earpiece, um, of— of robotic origins with technomancy—

Griffin: Okay.

Travis: —imbued within them, and—and impart those to Merle. So that he’s able to have a, uh, technomantic connection, with the robots.

{57:00}

Griffin: That’s great. Okay. That fucking rules. And Merle, I assume you accept that.

Clint: Thank you, Travis!

Travis: You’re welcome.

Griffin: Alright, Travis, spend one asset and we upgrade this to a mixed success. So with a mixed success, um, you get this—you get all this stuff. You get these great stories of, um, high adventure and because, like, they are the ones who ultimately saved, not the world but… 150 people? The last remaining inhabitants of the world? Like, these stories are pretty Beasts of the Ring centric.

They are, they are like telling these stories and so like when these robots see these artifacts on you, these are… these are holy artifacts, Merle, that you have on, so they tell you their stories. You can still tell they’re being a little bit reserved, though. There is still something that they’re not telling you. But you—you get these great stories. And I think when you are working with Lucretia to, um, write them down I think she really, really appreciates this? And—in this conversation, she’s like:



Griffin: She says:



Griffin: Um, take +2 Bonds because you are, uh, yeah. You’re working on some good stuff.

Travis: It’s cute.

Griffin: It’s not just that, it’s like setting up that good shit. Taako?

Travis: I would—I would also. Juice, I feel like, okay. I’ll just say, as Magnus, something’s up? There’s something we don’t know.

Justin: Well, well, anyway, that’s all well and good, Lup and I are goin’ fuckin’ scrapping!

Clint: [laughing]

Justin: This is the most civilized—this is the most technologically advanced place that we’ve been to yet and I wanna load the ship with all the valuable mechanical components I can find. So I’m goin’ fuckin’ looting. I’m gonna destroy as many robots as it takes, I wanna take these motherfuckers apart,

Clint: [laughing]

Justin: ...piecemeal,

Griffin: Okay.

Justin: ...so I can take whatever cool magic is powering them and I’m gonna loot this motherfucker to the—to the—to brass tacks. I’m gonna just—just loot and pillage.

Clint: Burn earth!

Justin: I’m gonna—yes, yes, exactly.

Griffin: Um, alright. Roll plus mind.

Justin: Ohohoho! That’s a 12.

Griffin: A 12, fuck, okay.

Justin: That’s some good pillagin’ Lup and I are doing!

Clint: [laughing]

Griffin: With a 12, you realize, like, I don’t need to murder everybody in this town. If I just go down, like if I just go down one tier, like, nobody lives down here and it’s just nothing but artifacts. So you go down to the next, uh, to lowest tier and there you, sure enough, you find tons of shit. What do you find? Like, what are you lookin’ for?

{60:21}

Justin: [crosstalk] Uhh —

Griffin: Fuckin’—fuckin’ Lup finds, like, a gun. [crosstalk] Like a big old school Tommy gun. [crosstalk]

Justin: [crosstalk] Yeah. [crosstalk] Sweet.

Griffin: And she just, like, when she finds it she’s like:



Griffin: And she just points it up at the sky and just, like, unloads it. Just screaming, like:



Clint: [laughing]

Griffin: Just, like, fucking, like, Scarface, kind of a little bit?



Griffin: She does! She literally finds another gun and, like, does it—



Justin: I think we’re looking for, uh, here’s what I’m thinking: things that can repair the ship. That is one thing we’re looking for because we do not have a plan for that.

Griffin: Okay.

Justin: Like, we know there’s a base state to the ship but if it’s damaged at some point, I wanna know that we have material components on-hand to repair it. I’m also looking for just anything that looks powerful. Anything that could be a source of power.

Griffin: Ooh.

Justin: I wanna try to like, loot as much crap as I can.

Griffin: Okay, here’s what we’ll do. You find, easily enough, like, this was a city of steel and...arcane energy? So, like, you find metal plating that you think, like—well, you check with Cap’n Port, who’s sort of the ship health liason, like, kind of the engineer-pilot in one. And he’s, like:


 * {1:01:41}

Griffin: And uh, you load some of this back up onto the ship, and with a 12 I think take two assets? Um…

Clint: Nice!

Griffin: But, with the other thing you mentioned I do wanna circle back to, is you search for magical energy, I think this is, like, equivalent to an arcana check, right, so uh-

Justin: Sure.

Griffin: While you’re down in the second tier, which is the only, like, it’s the lowest non-flooded tier. The bottom one is completely flooded by this waterfall. Roll plus Mind.

Justin: [dice roll] Uh… six-

Griffin: Okay, you- you don’t find anything.

Travis: Well, you have plenty of assets.

Justin: -teen.

Griffin: Sixteen? Wow!

Justin: Okay- [Clint laughter]

Griffin: Do you wanna spend one of your assets… upgrading that?

Justin: I thought six was a…

Griffin: It’s a failure. [crosstalk]

Justin: -was a… six is a failure?

Griffin: [crosstalk] Six and below is fail.

Justin: Yeah, this seems like a good time to do that

Griffin: Okay, what do you use?

Justin: I found a fuckin’ metal detector down there, but it’s for magic. So it’s just like, I’m just wavin’ it around. Maybe Lup’s doing it. Lup’s probably just fucking around with it, and I’m like--



Griffin: And it doesn’t have much battery left, because I think it breaks after you use it, or else you just get another asset again. But yeah, you use it and with a mixed success you know that there’s energy below you, uhm, in the bottom tier of this world, which you know talking to some of the robots - there’s like one, one robot remembers ‘Oh, well, that’s Underton’, um, so you figure out that there’s some energy below.

Clint: Please, some fan artist, draw that. [crosstalk] Please.

Griffin: [crosstalk] Just the gun, uh, the gun trick? [crosstalk] Okay so, uh - So that’s ya’lls year. Uhm, and again, abstracting it like… it’s probably tough scavenging for shit, like it’s exhausting going through a whole city and looting it. So that’s your year.

And, uh - So, I think just before the Hunger comes, you know you have maybe about a week left, uhm, you know you’re not going to get the Light right? And I’m not giving you like kind of an extra turn, but whenever you like go back to Davenport and tell him about this… this energy that you detected down there, he says like,



Griffin: Who are you leaving behind? [pause] Barry volunteers. Barry volunteers to stay behind, because he’s still very nervous. You know what it is? He can’t swim. Barry can’t swim.



Travis: No, cause there would - his jeans would get wet, and that’s incredibly uncomfortable.

Clint: Oh, yeah.

Justin: [crosstalk] Yeah, that’s the worst.

Griffin: Just can’t swim, never learned how. He has bad ears, you know. He has those - he gets ear infections every time he gets in a pool, so he kind of just gave up at a certain point. But, uh, the rest of you can - so, you need to get into this flooded part of the city. Uhm, how do you all go about doing that? We’re gonna have to make a couple rolls to get through this resolution.

Clint: May I make a suggestion?

Griffin: Sure. [mixed agreement from Travis/Justin]

Clint: Davenport stay with the ship as well.

Griffin: Davenport really wants to come with, actually. Davenport’s like - Davenport says:



Travis: We know we have a couple of days, so Barry could actually just leave like, as soon as the Hunger gets there.

Griffin: Yeah, exactly.

Travis: Like, he could be ready. Uhm, Taako, Lup, you guy’s got any kind of like bubble… spells? Or air things, or…



Griffin: If wizards have like a breathing spell in D&D, like I’m happy to let you just do it.

Justin: Yeah, yeah we got one. Probably, right? Yeah, we can, uh… we can make gills. I think. That sounds right, doesn’t it?

Travis: That’s canon in Harry Potter… so, like. why not D&D.

Justin: That’s… I might be thinking of Harry Potter, but yeah, I definitely have a spell for breath and stuff.

Griffin: There’s a spell called Water Breathing.

Travis: Perfect.

Justin: There you go, that sounds like what we’re looking for.

Griffin: [crosstalk] It’s a level three transmutation spell, so Taako you fuckin’ deffo know this. Like-

Justin: [crosstalk] Perfect.

Griffin: -transmutation is your shit. Okay, so yeah, don’t worry about rolling. You all can just breathe water. Uhm, Magnus, you have to move some stuff out of the way? Some big, heavy pieces of, like, machinery that are covering some tunnels and some aqueducts that allow you to sort of swim into Underton, but once you get down there, you, you eventually end up in one large open chamber that - the air is so stale down here, but it’s breathable.

It’s just a little like self contained bubble of air in this massive room in what are essentially the sewers of the city. And you sort of followed this light and this sound through the tunnels to reach this chamber.

What’s the symbol of the Beasts of the Ring look like, Trav?

Travis: That’s a great question, uhm....I think it’s a, uh, it’s a - it’s a howling wolf, uh, with a….gear, uh, as the moon.

Griffin: Okay! It’s just a dog yelling at some, [chuckles] some technology. I like it.

Travis: It’s a howling wolf on a gear, alright?

Griffin: It’s a dog who saw a gear and got really scared and yelled at it!

Clint: [snickering]

Griffin: You follow those symbols and you follow this light and sound and for a second you think, like, “Wait a minute, did we find the fuckin Light of Creation?” But as you enter this chamber you realize that’s not what it is.

Um, what you see is a massive blue crystal, that is shining, and there is this swirling light inside of it, and the - inside of the swirling light you can swear you see, like, people? A little bit? And standing in front of this crystal is a robot.

And it is — big and burly, it’s far larger and more imposing, and like, ...battle-ready? than any of the robots you saw topside, and as you enter you hear a voice say,



Griffin: She says,



Griffin: Roll plus Heart.

Clint: All of us?

Griffin: No, just Magnus.

Travis: Seven.

Griffin: With a seven, she...uh, she says, um,



Griffin: [crosstalk] Uh - Dav- Dav —

Travis: [crosstalk] How big is the crystal?

Griffin: Uhm… It’s - It’s huge, it’s like ten feet tall by like eight feet wide. And Davenport is sort of in the back of your party, and says… and I guess Taako and Lup, and everybody with like, magical abilities, um, is, just like, feels this immense power radiating from that crystal. And Davenport says, uh,



Clint: [breathy laughter]

Griffin: Are you doing it, Taako?

Justin: Yeah, Lup and I both do it.

Griffin: As it - this thing - detects some hostile intent from you, Taako, she..walks over to this pile of junk in the corner, and picks up this long, long piece of rebar from the ground, which she like, twirls effortlessly, and then holds at the ready in front of the crystal.

Lup is not, like - you step forward and did -, you said, like, “Lup”, right?, you tried to get her -

Justin: Yeah!

Griffin: She doesn’t. Like, she says -

Justin: [crosstalk] She’s not down w-



Griffin: Lup gets like a, she gets a little bit more, um, defensive, now, and she says,



Griffin: Lup goes and like, kinda stands between the rest of you and the - and this robot, and says, like,



Griffin: [crosstalk] Uhh— [laughs]



Travis & Clint: [laughing]



Clint: That was two v’s. N-E-V-V-E-R.



Griffin: That’s a - that’s a fair point.



Griffin: And—



Griffin: She gets really like, like right up like face-to-face.



Travis: [laughter]



Griffin: Um, the robot says, um,



Griffin: And this robot, like, kinda jabs this rebar pole into the ground, um, sort of defiantly.



Griffin: [crosstalk] Um— She says,



Clint: [crosstalk] That was with two K’s, Shark-k Tank, and then K with a [trails off]



Griffin: She says,



Griffin: She kind of sighs, and is like,



Griffin: Here’s how this resolves: Uh, this spirit goes back into the crystal and I think one of— when you all get back topside, all of the robots are kind of powered down as they have this sort of like, group meeting, um—

Travis: I draw on them with sharpie.

Griffin: Okay, what do you do?

Travis: I draw just like, mustaches mostly. Umm…[crosstalk]

Griffin: Okay, no— okay.

Travis: No, no dirty words or anything, I’m not that disre—, I’m just like, maybe I draw some uh, smiley faces on the robots. Cause mostly I picture them as kind of like, you know, blank, neutral faces? And I just kind of like draw some like raised eyebrows so they look really surprised, or y’know —

Justin: [surprised tone] “Huh?”

Travis: Yeah, right, so it’s like some—

Justin: [surprised tone] “Some oil? Huh?”

Travis: [surprised tone] “Wha?”

Justin: [surprised tone] “Free oil?” [crosstalk]

Travis: [surprised tone] “The Hunger is coming? Huh?”

Justin: [surprised tone] “Huh??”

Clint: [chuckling]

Griffin: So, here’s how this resolves, then. Some of, but not all of them, go with it. I think that, uh, a lot of them just stay behind, and they just, uh, inhabit these robot bodies permanently at this point, they don’t have this like, um, this like crystal, they are kind of like separated from the source to live in these robot bodies, which is like, not uh, ideal for them?

It’s not as like, safe, I guess, and not as liberating, uh, cause if they go down in these robot bodies they just go down. Uh, but a lot of them do decide to like, take you up on this journey and this robot is arguing this case for you, uh, the robot that you met down in the uh, Underton.

And so, uh, that robot comes and works with you, Taako and Lup, to shrink this crystal down to go along with you, and there’s probably about um, there’s probably about a hundred souls in this crystal, um and uh, hands it over, and you’re taking it, Taako?

Justin: Yeah.

Travis: The ones that stay, I picture Magnus like, coaching them on like, “When the Hunger comes, here’s what we’ve seen so far, be ready for this, get somewhere, get to the Underton, be ready for this, buy yourself some time by doing—” that sort of thing, y’know, like giving them any sort of tactical insight that we’ve gained over the last like 20 cycles or whatever.

Griffin: Um, okay, and—

Clint: And Merle’s giving last rites.

Griffin: Uh...okay, so you take most of these people with you in this crystal, Taako, that you now have. Uh, and the rest of them stay behind and Magnus, you train them, and that robot that you met in the sewers is — she tells you all that she’s staying behind also.

Uh, and she brought up that rebar pole with her, and she’s also helping with the training, Magnus, because she’s very, very accomplished with this thing.

Um, and I think, do you have any parting words for — for this robot friend, before you all get in this ship and go, I think you all know like, the Hunger is coming in like a few minutes, um, you hear this loud like, boom in the sky, that lets you know like, it’s time.



Justin: Merle, do you have anything you want to say?

Clint: Yeah. I— I look in her eyes, and I say,



Clint: And I run for the ship.

Griffin: She— she chuckles.



Clint: “vroom, vrooom, vroooooomm!”

Justin: Yeah, that’s right, it’s a diesel engine in this bad boy. Don’t know why we didn’t think through that.

Griffin: I think Lup also walks over to this um, this robot that you’ve all seemed to have gotten to know the best out of all of these folks, and she says,



Griffin: And she hands this robot one of the guns she found, and says,



Griffin: And then turns and walks onto the ship.

Um, and so the seven of you fly away! Um, in—in the Starblaster. All seven of you intact, having saved— well, kind of saved the sleeping forms of—uh, a hundred of the last sort of, known survivors of this world. Um, and the robots, from their perspective on the ground, they watch you fly away as this— [sighs] as this storm starts to, um, materialize overhead.

[music starts playing]

And this main robot, looks n— she turns and looks uh, looks at all of the other robots and just kind of nods, and holds her staff defiantly. And as this storm intensifies, um, she is unshaken, because this isn’t the first storm that she has lived through. And so she does what she’s done countless times before: she thinks of her friends and she prays for sunrise.

And onboard the ship, I think Lup turns to the rest of you, as you’re flying away, before you sort of cross over, and she says,



Clint, Justin, Travis: [loud laughter]

Griffin: And she walks, she walks over to the rest of you, and she says,



Travis: I put my hand in.



Griffin: She smiles. And everybody else makes their way to the center and I think that’s the last thing we see, the seven of you— well, the six of you—

Travis: WHO’S DRIVING?

Griffin: Davenport’s like,



Griffin: And he like, veers the ship left. Um, and so, the rest of you are just, have your hands in the middle, making this promise not to — not to destroy a world or even think about it.

Justin: It’s funny, [laughs] you never see the Justice League have to make that promise, huh?

Clint: [laughing]

Justin: [laughs] You never see the Teen Titans like, “Hey, from now on, no more destroying entire civilizations, okay?”

Travis: “No more threats of murder, can we all agree, no more?”

Griffin: I think the last thing we see are just like, the six of you — and Davenport, who is close by, sharing this moment of, um, determination, as you all sort of share this moment. Everybody take plus one Bond.

Justin: Nicee.

Griffin: As you sort of share this moment of like, realization of how bad it just could have gotten. And, as you share this promise to never get back to that place again, and I think that’s what we see as all seven of you are pulled apart into these beautiful white threads, um, and into the positions that you always return to, ready now to take on whatever the next cycle has to bring.

[music swells and plays out]

[THEME SONG PLAYS OUT]

[MaxFun endcard]