Ep. 66: The Stolen Century - Chapter Seven/transcript

Episode 66 The Stolen Century Chapter Seven

[ambient sounds of crickets chirping]

Griffin: Your years are still stressful, but, tucked away inside of them are long stretches of quiet days and this is one of them. It's night, and Taako, you and Lup just cooked the team a delicious meal, something low… low stress.

Travis: Oh man, I’m glad you finished that sentence.

Griffin: What did you want to finish it with?

Travis: Well I just thought you were going to say they just cooked the team. It was horrifying.

Griffin: Oh okay. Oh no! Um no, you just cooked them a tasty meal and it was something like low stress but it was tasty nonetheless; what did you, what did you make for them just this sort of innocuous evening?

Justin: Stew.

[laughter]

Griffin: Just—

Justin: It’s a good- It’s a good- The good thing about stew that I’ve discovered over the… over the years, is that, it's very flexible, right? Like you can't really mess it up, and you can have other people get the ingredients for you. And then when they bring it home it's just like fuck, fine, yes, I'll make a stew out of this I guess. This like, pile, this like, handful of grass, and also, like, beaver skin that you've brought me, I’ll just whip up a stew.

Griffin: So you made a tasty stew, and everybody loved it, except for... Except for Barry. Towards the beginning of this year, the seven of you recovered the Light of Creation from an ancient drake who hoarded it away in his lair. And in the confrontation, Barry was killed, leaving him a-

Travis: [amused] Oh, that probably is why he didn't enjoy the stew I guess.

[Justin and Clint laugh]

Griffin: Yeah, it left him a… It left him a pretty long lich shift to carry out before the next reset, so he's not eating much food. Death is like that for Barry and Lup now. It is, more than anything: an annoyance. And the conversation you all were having continues, and you hear a voice from Barry's red spectral figure as he says,



Griffin: And Lup says,



Griffin: And Lucretia says,



Griffin: Barry says,



Travis: Wait, I didn’t- I didn’t know we could make it up. I want to go back and say Puppy Town, where it was just all puppies.



Griffin: [crosstalk] Lup’s like,



Griffin: And Davenport says,



Griffin: Lucretia stands up and she carries her plate into the- er, I guess her bowl, into the kitchen, and, she, starts scrubbing it in the sink. And you see, you see her mouth moving and just static is coming out. [background music  starts playing] And she’s staring intently down at the sink, not speaking to anyone; it almost looks like she's singing. But there's no words, no melody, just static. And, and Lup kind of looks over at her with puzzlement, and then, back at the three of you. What do you do?



[Clint laughs]



Griffin: And then, she… looks back down, and the static starts up again as she starts singing.



Justin: I’m assuming this is something that we have not observed before.

Griffin: Nah, you’ve never seen this before, she says,



Griffin: And Barry says,



Griffin: He starts singing it, too, and it’s… just… static.



Griffin: Lup, Lup stands up from the table, she’s like, freaked out. She says,



[the static cuts out]



[music slowly fades]

{6:24}

Griffin: It's the 92nd cycle, and, your journey has not stopped being exhausting. Your escapes are still performed with zero margin for error. The Hunger is still accumulating power at a horrible rate, but, in recent years, there are glimmers of hope. Barry and Lup’s studies of the light have proven fruitful, and in the last decade, you’ve finally come to somewhat understand this force, this tool that some Divine Creator used to author all of existence. And they don't have answers on how to end your escape from The Hunger, not yet, but there's a feeling, to quote Lup, that “you're really fucking close.”

And that’s the general sentiment as you enter into this 92nd cycle. The world you descend into is populous and prosperous and vibrant. There are cities of gemstone and glass all built on these massive floating landmasses that hover above the uninterrupted ocean below; the surface of which is constantly troubled by massive waves that lap at the bottom of these islands. And the light plummets into the vast waters, and you lead a treacherous but ultimately successful undersea recovery.

And several weeks later Lup approaches the rest of you with a discovery: one of these floating islands is home to a massive facility where immensely powerful magic items are manufactured by artificers working with methods that she's never even heard of before. This facility, it’s called The Hanging Arcaneum, could teach you what you need to know to truly harness the power of the light to stop The Hunger for good.

And you're welcomed into the Arcaneum by the chief artificer, a half-orc named Holdsworth, (named for Holly Holdsworth on Twitter, thank you), and she hears your plight and is happy to instruct the seven of you, but explains that there’s no special privileges that are gonna be handed down. You’ll have to train under the Arcaneum’s instructors just like every other apprentice, and study to master the principles of artificing from the ground up. You’ll be provided… some of your materials? But you’ll have to provide most of your own for your work. And only once you’ve proven yourself will the Arcaneum’s most powerful secrets be revealed.

So during your tenure, your studies are grueling, but eventually you produce items that Holdsworth deems suitable evidence of your mastery of this craft. And, let’s figure out what those items are. So this is the first chance to spend these scores that you have been building up over this sort of mini-campaign? You’re gonna have an opportunity to do stuff with experience and bond later on, but now we’re gonna spend your assets to make some magic items. So, everybody takes plus one asset right now, which represents sort of the basic tools and materials given to you by the facility to begin your work. And with that in mind, let’s… start making some magic items.

Travis: Now Griffin, this isn’t in the instructions you sent us, but I would like to make a lightsaber. Is that possible?

Griffin: Absolutely not. Um…

Travis: Mm, well…

Griffin: Nnn… no no no.

Travis: Yes, and…

Griffin: So, Taako, you— no, but, we can’t do Star Wars. Taako, you’ve got 5 assets, Merle you have 3, and Magnus you ended up with just 1.

Travis: Material goods mean nothing to Magnus!

Griffin: [amused] Yeah, apparently not. Just a quick breakdown for how this works for the folks at home, I’ve given you sort of a list of… things that you can make, which is either +1 armor, weapon, or magical instrument, +2, or +3. Or you can make an accessory, and accessories are free, but you can only make one of them. And the idea is that you will then go down to this list of effects, which I have given you about like 16 or so of, and you will sort of put those effects on these magic items and spend your assets accordingly to build a magic item that you will then take with you into the finale.

Travis: So— so Griffin—

Griffin: [crosstalk] Where we will be playing 5th edition again.

Travis: Just to clarify, like, for example: Merle has three assets, could he make like three +1 things? Or do you only get to make one?

Griffin: No, he could make three +1 things, or he could spend all three assets on— you see where +2 armor, weapon, or magical instrument costs three assets? You could just make that, and not put any kind of special effects on it? Or you could build a +1 armor, weapon, or magical instrument, which is only one asset, and then spend two assets to put two effects on it.

Travis: Got it.

Justin: So you could— so, um, alright, and so the effect is… the accessory is something that attaches to the armor—

Griffin: An effect, but it doesn’t have— the accessory is just like, a blank canvas that you can put one effect on? I basically added that in because I kinda wanted Magnus to be able to make something that has an effect on it, if you want?

Justin: Well, I’m actually gonna give Magnus one of my assets.

Griffin: Aw, that’s nice of you.

Travis: Aw, thank you!

Justin: Well, I had a surplus—

Griffin: Okay.

Justin: —for what I wanted to make, so.

Clint: How many— how many does that leave you?

Justin: 4.

Griffin: [crosstalk] He’s at 4, and Magnus is now at 2. Just to give the folks at home some idea— by the way, the +1, +2, +3, I don’t know if we’ve ever talked about it, but that basically adds to… rolls, so like if you have a +1 sword and you attack with it, you get plus one to attack and damage. And it works the same way for armor, it just is a AC bonus, so.

And then the effects are stuff like, resist damage type, where you choose like a type of damage and then you take half damage from it; there’s one in here called Champion’s Might, which gives you a critical hit on 19s as well as 20s. Yeah, there’s a bunch of stuff we can get to as we make stuff.

Clint: I’d like to give one of my assets to ’im, as well.

Travis: Oh! Whoa! Yeah! Oh boy!

Griffin: [crosstalk, amused] That’s going to mean that he has more assets than you, but I like it.

Justin: Well, that’ll give him 3 and you 2.

Clint: Yeah, I don’t mind. I think it’s more important that he’s… either… weaponed up or armored up.

Justin: Okay.

Griffin: Sure.

Travis: [crosstalk] You guys are the best!

Griffin: I would like—

Justin: [crosstalk] They’re your assets, buddy.

Griffin: We have a lot of ground to cover, so I’d like to move through this very quickly; I sent you this list yesterday and I’m curious if you have any sort of initials thoughts of what you wanna make. I also sort of encourage you, in this email, not to… keep in mind what equipment you have now, when making this stuff? Like I want you to make cool shit that is going to be cool for your character to have.

Travis: Okay, well, you guys go first, ’cause I now find myself with extra assets I wasn’t prepared for.

Griffin: Yeah. Justin, it sounds like you have an idea of what you want for Taako.

Justin: I know I already have a cool staff, but, I… just a +2 armor for me is like… not that interesting? ’Cause like—

Griffin: [crosstalk] Yeah, and like I said, I don—

Justin: It’s not— it ain’t gonna help that much.

Griffin: I— We need to lean into sorta the dramatic irony of this episode? So I don— I genuinely don’t want you to think like, well I’ve already got a staff so I won’t make a staff. You know what I mean?

Justin: Okay. Yeah, so I am making something that, it is so sweet. [amused] It’s like, really sweet. It’s call… it’s a glaive? Like, shaped like a— you remember the movie Krull?

[Clints gasps and laughs appreciatively]

Travis: Yes!

Justin: It’s basically a glaive like in Krull, but it’s a class— it’s a casting glaive. So instead of like actually throwing it, it throws out like a projection of itself.

Clint: [laughing] Noice!

Justin: [crosstalk] To cast with.

Griffin: [crosstalk] That’s fuckin’ sick, dude!

Justin: It’s ca— it’s got, it’s a +2 magical instrument.

Clint: Can you still throw it though?

Justin: It’s got— what?

Clint: Can you still throw it?

Justin: Uh… sssure. Yes.

Griffin: I mean it’s shar— it’s probably sharp, and you can throw sharp things.

Justin: Yeah, I mean can definitely throw it if I wanted to.

Griffin: You have one asset left over, which effect do you wanna toss onto—

Justin: It’s got—

Griffin: [crosstalk] Or you could, or you could not put an effect on it, and then make an accessory and put an effect on that. And it, by accessory I mean anything that’s not armor, so it could be a helmet, or a cape, or a ring or a necklace or whatever the fuck.

Justin: It’s uh, Elemental Damage. I’m gonna put lightning damage on it.

Griffin: So that’s for weapons only; if this is a magical instrument I don’t know how that would work, unless you want to be able to use it as a weapon also? And…

Justin: [sighs] Alright, you know what I’m gonna do instead? That I think would be perfect for this, because the glaive is designed to come back to you? I’m gonna give it Mulligan’s Blessing.

Griffin: Okay, that’s perfect. So, that’s an effect I have on here where if you miss with a spell attack? You don’t spend a spell slot. For that attack.

Justin: And also… it’s called the KrEbStAr.

Griffin: [amused] The KrEbStAr is perfect.

Travis: [crosstalk] Nice.

Clint: [crosstalk, in a deep, gravelly voice] The KrEbStAr.

Griffin: Okay. Alright, Taako’s good, Merle and Magnus.

Justin: It’s fuckin’ high fantasy, by the way. Bejeweled—

Griffin: Yeah.

Justin: Like, high fantasy.

Griffin: [crosstalk] Deffo.

Justin: Like— yeah.

Griffin: Can you spell KrEbStAr, just for the folks at home?

Justin: K-R-E-B…

Griffin: Star.

Justin: S-T-A-R. KrEbStAr.

Griffin: Sick. Okay. Merle and M—

Justin: [crosstalk] And it’s— it is intercapped.

Griffin: [amused] Great. Merle and Magnus, whatcha got? Merle you have 2, Magnus you have 3.

Clint: Maggie?

Travis: No, I’m not— I’m not ready yet!

Clint: Alright, I’m going to make… a single stick. Also known as a cudgel.

Griffin: Okay. Is this a weapon or is this like a holy— item that you use—?

Clint: [crosstalk] It’s a— it’s a weapon, but I’m gonna use it as a holy—

Griffin: Okay, so it’s a magical instrument then.

Clint: Magical instrument.

Griffin: Okay.

Clint: Sort of like a stave. And whereas—

Griffin: I guess it’s gonna be a +1, right? ’Cause that’s all you can afford?

Clint: Yeah.

Griffin: Okay.

Clint: And whereas he’s got— his glaive is really really fancy, this is mostly wood, and it’s got like a leather cup around the handle, and maybe it looks a little twiggy, just in keeping with the whole—

Griffin: Yeah yeah yeah, sure.

Clint: You know, tree arm kinda stuff.

Griffin: Natural… sure.

Clint: And… I can add… I can add a +1 to it, right?

Griffin: Yeah, you can add one effect to it. For— and that’ll be all your assets.

Clint: You know what? I’m gonna add Vampiric Damage to it.

Griffin: So that’s for w— again, that’s for weapons only. If you’re using this as a divine— or as a, uh—

Justin: There’s a healing one on there, Dad, if that’s somethin’—

Griffin: [crosstalk] There’s a healing one, there’s a lot of cool shit on here.

Justin: [crosstalk] —you might wanna experiment with.

Clint: Mkay.

Griffin: Retribution is cool, after taking damage in combat, gain plus 2 on your next action during your next turn… Arcane Assurance is cool, you can spend 2 spell slots whenever you cast a spell to gain advantage on that spell? There’s a lot of cool stuff for magic.

Clint: I might wanna use that.

Griffin: The Arcane Assurance?

Clint: [laughing] Yeah. I think that might make a lotta sense for me, in that case.

Griffin: Yeah, so whenever you cast a spell, like say you cast a 5th level spell? You can spend 2 level 5 spell slots, and then gain advantage on the roll. It’s kind of a way of just like, if you’ve got one sorta clutch action, you can double down on it.

Clint: Yeah.

Griffin: Okay. So, keep that in mind—

Clint: [crosstalk] So make that Arcane Assurance on that.

Griffin: And that should be… 2. That’s 2 assets. Do you have a name for this cool stick?

Clint: Yes, uh… G—Gilley

Griffin: [sounding both amused and exasperated] Yep.

Clint: G-I-L-L-E…

Griffin: [in a dramatic voice] Gilleyyy…!

Clint: ...Y. [in a deep voice, mimicking Griffin] Gilleyyy…!

Griffin: [amused] Ah, Jesus. Um… alright, Magnus! You got 3 to burn, whatcha got?

Travis: I’m going to get +1 armor…

Griffin: Okay. This is just— by armor, I mean, like— chest— chest, breastplate, armor, like—

Travis: Can I do a helmet?

Griffin: Yeah, I guess so. But I basically just made it chest armor so that you couldn’t like, do a bunch of level 1 armor?

Travis: Well I’m only gonna get the one ar— I just don’t— I know we’re trying not to play meta, but I—

Griffin: I gotchu.

Travis: I like my feathered cuirass.

Griffin: If you have a cool idea for a helmet, definitely— do it.

Travis: Okay.

Griffin: What’s the— what’s this helmet’s deal?

Travis: I want it to look very much like ram’s horns?

Griffin: [amused] Okay.

Travis: I don’t know why, that’s just the first thing that popped into my head. No, you know what? Hold on. Hold on. If I’m making it, I want it to have, like, a, a, kind of— think of like a um, faceplate, like a football helmet?

Griffin: Okay.

Travis: Except, instead of like a, a grate, it’s like a… bear’s teeth. It’s like fangs?

Griffin: Cool. Yeah, I’m into it.

Travis: And I wanna get Retribution on it?

Griffin: Yeah, that’s a cool one. Like I just said, if you take damage in combat, on your next action during your next turn, you gain plus two. On whatever that action is.

Travis: And then I’m gonna get an accessory.

Griffin: Okay. What is it?

Travis: I want it be just a really sick-ass pendant.

Griffin: Okay.

Travis: You know, just like, you know what? Continuing the theme, like, I— it’s like a, a metal bear fang— chain—

Griffin: Just a lot of bear stuff, then.

Travis: It’s-- I’m-- listen. I’m leanin’ into it. You know what I mean?

Griffin: Definitely.

Travis: Like, I’m— remembering my training, my inspiration. Goin’ for it.

Griffin: What effect do you want on that?

Travis: I’m gonna go with Gambler’s Luck.

Griffin: Okay. That one lets you reroll any 1s. That you roll on attacks only? Not skill checks? So, if you attack something and roll a 1, you will get to roll again. That’s a pretty good one, I think.

Justin: And you’ve already been doing that anyway, so I figure… {19:14} [Clint laughs]

Travis: Yeah. [he says something here that I can’t understand under Clint’s laughter, sorry] I’m gonna call the helmet, Bear Face. You know, naming stuff just isn’t Magnus’s strong suit.

Griffin: Sure.

Travis: And, I’m gonna call the pendant, Tooth Necklace. [laughter]

Griffin: [laughing] ’Kay.

Travis: Spelled exactly how it sounds. Two words.

Griffin: So, it takes you guys most of—

Travis: No, no you know what, it’s, number 2, T-H, Necklace.

Griffin: Why?

Travis: Because.

Clint: It’s his.

Travis: Because it’s mine, dammit!

Griffin: Alright, so, you all spend the better part of the year like, practicing? These are not the first magic items you make, but they are like, the best ones that you make? And so it takes you a while to produce these. While you’re in the thick of your training at the Arcaneum, Taako, Lup drops in and challenges you to a Wizard’s Duel. She wants to test out what she’s been working on. Do you agree?

Justin: Uh… yes.

Griffin: Okay. Not to the death or anything. Sort of Harry Potter style.

Justin: Yes.

Griffin: So, you all find like a large clearing and she steps several paces away from you. And she’s carrying this long instrument that’s wrapped in brown canvas. And as she steps some paces away from you, she lays it down at her feet, and she kneels down in front of it. And she says,



Griffin: Roll plus mind.

Clint: To the pain!

Travis: No… To the tickles.

Justin: 9.

Griffin: Okay. With a 9, um… you… what do you cast? What do you shoot at her?

Justin: Like a big-ass fireball. I don’t have my spell cards, but you know, a big fireball?

Griffin: [crosstalk] Okay yeah, sure. You cast a big-ass fireball at her, and, it hits her, just barely. She tries to get out of the way of it and it just kinda nicks her. And she rolls forward and grabs this wrapped package, and as she completes the roll, you see the canvas fly into the air, and there she is, in kneeling position, and she has an umbrella held out in front of her. And she hits you with—

Justin: Fuck you.

Griffin: —a couple of magic missiles. And you kind of fall backwards as these magic missiles hit you? And as you are sort of knocked down, the KrEbStAr comes flying out of your hand. You see this umbrella turn inside out, and just as it’s about to— just as your shiny new glaive is about to fly into this hungry mouth of this umbrella, she pulls it back and catches the KrEbStAr. And hands it back to you. And she walks over and she says,



Griffin: She says,



Griffin: She walks away, back to the Arcaneum, and she says over her shoulder,



Griffin: Take plus one bond, Taako. It’s the last month of this cycle now, and the seven of you have gathered together in the galley of the Starblaster for a strategy meeting. And you’ve had these every year, like it’s an opportunity for you to talk about the big picture and figure out what you’ve learned and what you need to do next to try to thwart The Hunger once and for all, if you can. And this is the last of those meetings that you’d ever have. You’re all seated around the dinner table, and Lup speaks first, she says,



Griffin: Yeah, yeah. [laughter]

Justin: D&D is of course the nickname of the game, that Lup and I came up with—

Griffin: Yeah, sure.

Justin: —for when I Blink and, and, uh…

Griffin: And don’t remember the rules that Gary Gygax came up with.

Justin: [amused] Right, right.

Travis: And Gary Gygax is code…

Griffin: Yeah, he’s an ogre or something, whatever. Can you— so, do you do it?

Justin: Yeah. For sure, I cast Blink, and, just duck my head in.

Griffin: Yeah, you duck your head in and as you do, you see this like, wispy white version of the room you were just in, and there are these little white sort of knee-high creatures, with these blank expressions and big eyes, that as they sort of see you, and you start to sort of like motion towards them, they scatter and disappear and the room is clear.

Justin: Okay.

Griffin: You’re back in the room now, and you’re all together, and Lup says,



Griffin: And Barry takes out his wand— it’s a new wand—

Travis: [alarmed] Augh!

Griffin: —he made… What is— why do you keep reacting to Barry like that?

Travis: ’Cause he’s scary. He’s— oh, he’s probably not a lich in this one.

Griffin: [crosstalk] No, he’s alive now, yeah.

Travis: Okay.

[background music starts to play]

Griffin: He takes out his wand and he begins to conjure up a scene on the dinner table, and the room darkens as these projections take form. A white disc floats above the center of the table and then 11 other discs appear around it, floating in orbit. And Barry says,



Griffin: And you see a small projection of the Starblaster flying in from the edge of the table, landing on that center plane. And Barry continues and says,



Griffin: And you see a small light lower down from the ceiling and it lands on that central plane as well. And he says,



Griffin: And then there’s a dozen white eyes floating over the projection.



Griffin: And then a round black disc appears from below the table and slowly consumes the scene, and Barry says,



Griffin: And sure enough, this scene plays out— it rewinds and then plays over and over again. And Barry says,



Griffin: And you see the light descend from the ceiling again, only this time there are waves, there are ripples of energy coming off of it, that reach far beyond this scene, and they start bouncing all around the kitchen. And Barry says,



Griffin: And then suddenly the scene changes, and those ripples cascading off the Light of Creation, they grow weaker. And they’re not bouncing all around the kitchen anymore. They’re just sort of surrounding the plane in the center of the projection. And Barry says,



Griffin: And Lup says,



Griffin: And Barry says,



Griffin: And Lup says,



Griffin: Barry says,



Justin: Now— Griffin, do we… we know that this is a hundred years, because it’s called The Stolen Century.

Griffin: Mhm.

Justin: Do… we know, in, at this point, that we’ve got like 8 more cycles? Here to go?

Griffin: [crosstalk] No, you don’t. No, basically what he—

Justin: [crosstalk] Is that— unending, as far as we know right now?

Griffin: What he just said is, essentially, the next time you can find the light before the scouts find it? You do this thing. No matter how long— it could be this next cy— it’s too late now, The Hunger knows where you are in this cycle? Maybe in the next cycle you find the light really quick and it happens.



Griffin: Lucretia says, like,



Griffin: Barry says,



Griffin: Lup laughs and says like,



Griffin: Lucretia speaks up, and she says,



Griffin: And she waves a wand at this projection on the table, and a light barrier surrounds that central plane. And she says,



Griffin: And Lup says,



Griffin: And then this projection changes again, and you see thousands of little threads of light stretching between all the planes. And past the projection, out of the projection, reaching out into other realities entirely. And Lup says,



Griffin: And Lucretia gets kind of upset, she says,



And the seven of you spend some time debating these two plans and things get a little heated at times. And finally Davenport cuts everything off and he says,



[Someone Sighs (Clint?)]

Griffin: Lucretia says,



Griffin: Lup says,



Griffin: Davenport says,



Griffin: And Lucretia–



Griffin: She looks up at you, Magnus, and her eyes meet yours and she takes that to heart. If this was a fuckin’ Telltale game, it would say “Lucretia will remember that” at the top-right corner of the screen right now. She does look disappointed, though, she looks downtrodden? She’s been working on this plan for decades, and it kind of just like came to an end. But Lup sees that and says,



Griffin: And Lucretia says,



{36:00}

Griffin: The next few cycles, your efforts to quickly recover The Light prove unsuccessful. But it gives you the time that you need to design the magic items that you’ll hide The Light away in. Each of you, using the artificing skills you learned in the last cycle, will build one.

Justin: [crosstalk] I think I speak for the rest of us, and like, the entire audience when I say I cannot wait to see what these fuckin’ seven items are. [Clint laughs]

Travis: Yeah.

Clint: Aw, I know!

Griffin: Each of you will build one and be responsible for putting it out into the world. And for a bonus experience point, do you want to guess what your Grand Relic was? I can list them off, and–

Clint: Yeah, list them off.

Justin: [crosstalk] Yeah, that’s what I was gonna say.

Griffin: Okay, so there was the, in or–

Travis: [crosstalk] No wait, I wanna guess! Hold on. [crosstalk]

Griffin: Well, no, no, no–

Justin: No, he’s just gonna list what the artifacts were.

Travis: Oh, okay.

Griffin: In order of their appearance, there was the Phoenix Fire Gauntlet, the Oculus, the Gaia Sash, the Philosopher’s Stone, the Temporal Chalice, the Animus Bell, and then the staff that you only saw at the end of the last episode which is called – and you know this because one of you talked about what it is called – the Bulwark Staff. Which one, for an extra experience point, which one did you make? One of these should be very easy for one of you.

Travis: I think I made the Temporal Chalice.

Griffin: Well, yeah, of course. We saw as much in flashback.

Travis: [crosstalk] Okay, so I’m in Refuge. Yeah, yeah, yeah.

Griffin: Yeah, take one ex–

Travis: Well, to make it a little bit tougher, I will guess somebody else’s. How about that?

Griffin: Well, let’s let Merle and Taako guess theirs but take one experience point. Think– keep in mind what– if you were making an item, what your interests are, what you think power is, what you would think is desireable – that is sort of the guiding principle for how you made these.

Clint: Go... go ahead, Juice.

Justin: Um–

Clint: Gaia Sash! I did the Gaia Sash!

Griffin: That’s right, take one experience point.

Clint: [whew]

Justin: Did I do the Philosopher’s Stone? Cause I’m a big HP fan?

Griffin: You did. Yes. You’re the biggest HP fan. Alright, everybody take experience points. Uh, Davenport–

Travis: Did the Oculus, right?

Griffin: Yeah, because of his interest in illusion magic and what the possibilities would be if you could make those illusions real, he made the Oculus. Barry, with his interest in sort of some of the necromantic arts he picked up when he became a lich made the Animus Bell. Uh, Lucretia–

Travis: [interrupting] Do you guys ever think about how weird it is that “romantic” is in the word “necromantic”? Just– [chuckles]

Griffin: [amused] Hmm. It is strange.

Travis: Isn’t that weird?

Griffin: Lucretia made the Bulwark Staff and Lup made the Phoenix Fire Gauntlet. So the seven of you have designed your relics. You haven’t built them yet because the time hasn’t been right. But the plan is set. And then after a few more cycles, finally, it happens. The Light– [music starts] it comes down right on top of your ship. And you recover it within the hour. And when you do, there is a dawning realization of what that means: Your journey is over. You are home, here, in cycle ninety-nine.

[music fades out]

{39:16 – Commercial Break begins}

{45:42 – Commercial Break ends}

Griffin: What is most peculiar about this new world that you will now call home is how closely it resembles the home you first left. Biologically speaking: it’s nearly identical. There are humans and elves and dwarves and dragons and halflings and goblins. Merle, as sort of the chief biologist of this mission, you are struck by the familiarity of the flora and fauna in this place.

Justin: I bet he is.

[snickering]

Clint: ‘Specially the flora.

[Background groaning]

Griffin: The sky above is blue and there’s only one sun... but otherwise, it feels like home. Um, but it’s more than just the biological makeup of this world. There are echoes of the world you left all over. There’s technology in this world and it’s being advanced by this- this laboratory that you hear of. And later on you hear rumors that they’re studying the planes, too, just like the Institute of Planar Research and Exploration. Merle, you know some people in this world. Um, and they don’t know you, not right now, anyway, but you have like some distant relatives that existed in your home plane too, and the odds of that are just astronomical. And there are cities and national parks and beaches and music and, Taako, there’s so much food here.

And your journey could have ended anywhere. It could have ended in the ruined world with those- the judges ruling over everything, or it could’ve been the world where the planes intersected and and there was nobody there. But it ended here. And you’re so grateful for that. And the seven of you rushed to complete your relics in the next day, hoping to complete your task before The Hunger’s scouts arrive, and the work is surprisingly easy. Barry and Lup carefully divide up the light and you take that power and you put it inside the items you designed and it’s just- done.

And you can feel the thrall of these powerful artifacts pulling at you, but you... you resist them. And you stow them away for the moment and you just wait. You wait one day. Two. Three. And after a week, the finality of this situation sets in: You did it. The Hunger’s not coming. You’re safe. And so you celebrate that night and in the morning, you decide it’s time to put your relics out into the world. Um, and I wanna know how you do that. Magnus again, like-

Travis: I take it to Refuge, right?

Griffin: Yeah, Magnus, you take it down and you- I guess try to find somewhere sort of isolated to put the Temporal Chalice, but you kinda get lost in your journey and you are out in the Woven Gulch, and you’re so thirsty you like fucked up and didn’t bring enough water, and you’re lost-

Travis: [crosstalk] Well I think this is- I think this is interesting because you have to think for the last hundred years, like, mortality hasn’t really been a concern?

Griffin: That’s another thing, like, this has set in on all of you as you kinda realize this is home, like- you can’t die anymore. You’re not leaving.

Clint: Ooooh.

Griffin: Um, so yeah, I think you’re probably having a tough time with that, like “Oh shit, am I gonna die in this Gulch?” But you are found by Jack and June. And- they’re so kind to you. And that kindness is what lets you know like, these are the people I can trust with this.

Justin: I, uh, I head to Phandalin. And I throw the rock in the well, and then I walk away and shout,



Justin: And then I go back to do whatever I was doing.

Griffin: Nobody really listens to you-

Justin: [crosstalk] That’s fine. [Clint laughs]

Griffin: -not at first. But I think what we see is some miner coming back to town, um, after a sort of long and exhausting shift- uh, maybe at Wave Echo Cave, maybe somewhere else. Uh, and, as they walk by this well, the same route that they’ve walked between work and home hundreds if not thousands of times, during their stay here, they hear a voice coming from the bottom of the well. Uh, Merle what do you do?

Clint: Don’t I have to go back to the...Goldcliffs?

[cross conversation]

Griffin: I mean you do not- you do not, these- these relics-

Travis: Hey, you remembered!

Griffin: I-I mean-

Travis: [excited] But- Hol-Hold on a second!

Griffin: Yeah, no no no no- this is great-

Travis: Dad! You remembered the name of a thing, I’m so proud of you!

Clint: Aww, thank you Travie!

Griffin: I’m extremely proud of you.

Justin: Yeah, me too.

Griffin: Um- there’s, these relics are going to move around a lot, um, we have a lot of time still between now and where our story begins and so don’t worry about putting it right at Goldcliff.

Clint: Okay, well I have an idea. I’m going to hide it in plain sight, which is what Sherlock Holmes always suggested you do. And there’s this massive statue; you know like the Colossus-

Griffin: Sure.

Clint: -of Rome? And, um, I tie the Gaia Shaft- [Clint chuckles and Travis makes a disapproving noise]

Clint: Sash.

Travis: Thank you.

Clint: Uh, around its head like a headband.

Griffin: Okay! Um, yeah I think I- again, like, it- that you hid it in plain sight and sure enough--like I think it takes a while for anybody to even realize what it is-- but there’s a there’s a sculptor that comes to study this statue and sort of how it was made. And this thing’s been here for awhile so like not a lot of folks still appreciate this thing, but this sculptor does. And the next time that this sculptor comes around they see this sash, and they hear- they feel it calling to them.

And things don’t escalate all at once. It takes time for the legend of these powerful relics to spread throughout the land, for the avarice of the world below to truly catch fire. But once it does, well, you know how this next part goes. After about ten months after your arrival in this world, the conflict that you’ve heard referred to now as the Relic Wars truly ignites, and the devastation it wreaks is immeasurable.

Every party in this world, every band of adventurers, every mercenary guild, every kingdom, wants the Grand Relics. And as you coast above this land aboard the Starblaster, every few weeks or so, you see a battle raging down below. And the relics are just unearthed and they change hands and they are squirreled away, and then that cycle begins anew. But it’s not just the conflict surrounding the relics that is so troubling, you also hear reports and you see first-hand exactly what these relics are capable of, and they’re capable of so much more than you assumed when you were making them. Maybe they’re getting powerful. Maybe just in the hands of the wrong people, they can be used to so much greater effect than you assumed.

The Gauntlet--the Phoenix Fire Gauntlet--it surfaces every few months and it leaves a circular glass scar on the world’s surface. Once, it was at the scene of one of these massive battles. Once, it was where just this sleepy agrarian village once stood. There are reports of impossible things, monsters and other phenomena conjured into existence by the Oculus. Deadly, unceasing storms take shape overhead and Merle, it’s the telltale sign of the Gaia Sash’s power. A string of cities built upon the Moonshae Isles are drowned in minutes under the weight of one of these storms.

Taako, you only see a couple of instances with the Philosopher’s Stone being misused, but they’re so horrible. One that hits hardest is the city of Armos. A child found the Stone somehow, Taako, and turned their home and everyone inside of it to peppermint.

Magnus, your relic might be the most distressing of all of them, because you don’t see anything change because of the Chalice- and that’s the problem. Time can be rewritten with the Chalice, made miserable without your knowing it, and what you don’t know? It haunts you, Magnus. But the year passes. And the Hunger never comes. And that, is cause for celebration, but the weight of what you’ve done to this world is always present, it’s looming overhead.

And that’s the scene now. It’s been a little over a year, and your team is celebrating the success of their plan. You have hidden from The Hunger. You have staved off the apocalypse. And so you’re having a little celebration with just the seven of you and Fisher. And I want you to just sort of choose a character to do a scene with at this party and sort of explore how your character is reacting to this situation.

Clint: [laughing] Let- let me just say parenthetically- we’ve gone from wreckin’ trains to startin’ a global conflict.

Justin: Yeah.

Griffin: Well to be more precise, you started a global conflict, and then you started wrecking trains.

Clint: Well, yeah.

Justin: [crosstalk] Well we got better at it, actually, if you think about it.

Clint: Yeah!

Travis: Yeah!

Justin: That was actually an impressive one.

[Justin laughs]

Clint: Yeah we’re doin’ good!

Griffin: I want these scenes to be relatively short, so, just like pick a- pick a character and I mostly just want to see how your character is reacting to what you’ve done.

Travis: I would like to have a scene with Barry.

Griffin: Okay! Um, what are you doing at this party with Barry?

Travis: Man, this is a really good question Griffin. Maybe we’re looking through our albums to pick the next music to play.

Griffin: Uh, okay! Yeah, there’s probably- I think we have some sort of--I don’t know what the rule is for like, music storage, in this world--but there’s probably some sort of album-like thing.

Travis: Like, Griffin, I put on the new album by My Morning Cuirass.

Griffin: [amused] Okay. Barry says-

Travis: My Morning Cloak? Wait, which was better. Hold on. Ugh.

Clint: Cloak.

Travis: Yeah-

Griffin: My Morning Cuirass is great because their- their songs are usually, um, a little bit somber sometimes? A little bit bittersweet, and that’s definitely the tone here.

Travis: Okay.

Griffin: And Barry looks up as you put that album on and he says,



Griffin: He says-



Griffin: He says,



Griffin: He says,



Griffin: Merle, Taako?

Clint: Well I think it’s pretty obvious what Merle wants to do at a party. He wants...to dance!

Griffin: Okay, this is gonna be fuckin’-

Clint: [interrupting] So he asks Lup- he asks Lup to go on the dancefloor with him.



Griffin: Lup is just like- Lup is in the kitchen, she was cookin’ up some- some party favors, and you realize she’s just been like stirring the same pot for like…. 20 minutes now. It smells like it’s burning maybe a little bit, she’s just kinda absent minded, she looks up and she says,



Griffin: I’m getting a- like a real feeling of fuckin’ Leland Palmer dancing-

Justin: Fucking, [singing] oh mares eat oats and does eat oats and little lambs eat ivy, a kid’ll eat ivy too, wouldn’t you?

[Everybody laughs]

Clint: I was thinkin’ Tequila, but uh-

Griffin: Lup says,



Griffin: She says,



Griffin: Lucretia sees you having this conversation with her, and she sees you being sort of, like, extremely positive in this situation, and…

Clint: And she’s jealous.

Griffin: No, she looks like, kind of… distressed. Like I know I referenced Leland Palmer, like, dancing after his daughter's death in Twin Peaks. But like, it's... I feel like there's a sort of uncomfortableness of like, why is this dude so turned up right now, like why is he like- ? This doesn’t seem like the time or place, really.

Clint: So this is a wake, and not a party.

Griffin: It sure feels like it. Um, Taako.

Justin: I wanna talk with Barry.

Griffin: Mkay.

Justin: Like, we’re just kinda bumped into each other, like- I feel like we’re kinda maybe watching this, and then as it starts to wind down I'm just sorta talking to him;



Griffin: He says,



Griffin: That’s the scene, I think. [cross conversation]

Justin: By the way, I did spare everyone, I was going to make a sick Groundhog Day reference where I talked about being in an island world once and I met a guy and we ate lobster and drank pina coladas in the sunset we made love like sea otters and I didn’t, and I just want everyone to know I was going to, and imagine that I did… It may be in the expanded version…

Griffin: Yeah the cut- it’s a deleted scene. So you’ve been in this world… 20 months now. And the conflict over these relics? Shows no sign of stopping. Nor does the occasional bits of devastation that they visit on this world. And one morning, Lup gathers everyone in the kitchen, and… she seems just… so tired. And she explains that, during the night, a city called Cordelia was destroyed by the Phoenix Fire Gauntlet, and… estimates put the death toll in the low thousands. And Lup tells you all this with a stone-faced expression and adjourns the meeting and everybody kind of goes back to their quarters, and, Taako… she looks… heartbroken.



Griffin: She still looks really bummed out.



Justin: And then I go to the record player and I turn on the Thong Song.

[slow clapping]

Justin: And I do my fuckin’ Thong Song lip sync. It is… basically amazing. I- can’t even really put words, do justice to it with words… but… I feel like it always makes Lup laugh. ’Cause it’s really ridiculous.

Griffin: She does, she laughs, she laughs so hard she has to sit down, at the kitchen table, and she watches the rest of your performance, and…



Justin: [amused] I think you’ve done quite enough at this point.

Griffin: She laughs so hard, that, she, is like, crying a little bit? And she wipes those tears from her eyes and says,



[pause]

Griffin: That was the last conversation you ever had with your sister.

[music starts]

When someone leaves your life, those exits… are… not made equal. Some are beautiful, and poetic, and satisfying. Others are… abrupt and unfair, but most are just unremarkable, unintentional, clumsy. Where Lup went, she didn’t intend to end up there and she certainly didn't intend to spend as much time away as she did. And, we'll talk more on that later. But from your perspective?

Lup was there, and then the next day she wasn't. And you all searched for her—Barry tirelessly, painfully so—but she was nowhere to be found. And all you had to go on was a note that she left behind on that kitchen table. And its two-word message offered no clues to her whereabouts, but simply a promise that was left unfulfilled: ‘Back soon’.

[music plays and then stops]

Griffin: Now we see Lucretia in her private quarters, and she's working by candlelight, and the soft glow from Fisher's tank. And she has one of her journals open in front of her and a large well of black ink uncorked on her desk. And she reaches for a quill and then stops, and then, instead, takes up a small brush. She's had to do remarkably difficult things to survive this journey, but this is the hardest. In order for this plan to work, she would have to go over every word of the record of your mission, relive every moment of terror, and pain, and joy, and loss, and choose what to keep and what to erase.

She spends entire weeks in her quarters. You don't see her much during this time, as she shapes your memories, your lives, with a long and agonizing redaction. It's the early afternoon now, on a day two years into your stay here; and this is where you were when it happened. Merle, you're spending some time with Davenport and you’re all aboard the Starblaster still, but right now it's just the two of you, you and Davenport. What are you doing?

Clint: Playing tabletop games. Playing a game!

Griffin: Like a card game or like a board game or?

Clint: No, we're playing, uh… Yeah! We're playing a card game, we're playing Euchre.

Justin: Two person Euchre? Is that possible?

Griffin: It's possible in this world.

Clint: It’s spelled Y-O-O-K-E-R. Yooker! [Justin laughs]

Griffin: Do you… do you play that often? With Davenport? Just to like, kill time?

Clint: Eh, you know it’s kinda become a thing we kinda do, we just-

Griffin: Okay.

Clint: Because you don’t have to talk.

Griffin: Sure.

Clint: And so-

Griffin: Uh, yeah- [cross conversation]

Clint: We just sit there and play, and we play—what's neat is, we play it with a, like a tarot deck, so it’s a very complicated game.

Griffin: I like the idea of you guys just playing this game in silence. And you’ve played like several rounds now, and I think you're just trying to like, I don't know man... like distract yourself from everything that's going on.

Clint: Well, and he also owes me a lot of money!

Griffin: Yeah, sure.

Clint: ’Cause I’m really good.

Griffin: And after a few rounds, he breaks the silence and he says ,



Griffin: He says,



Griffin: He says,



Griffin: He laughs.



Griffin: He says,



Griffin: As you’re talking to him, Merle? He… drops his cards, and he's blinking, like really fast, and he wipes his eyes and his face and… he looks around. And his breath, it quickens, he's panting. And he says,



[light piano music]

Griffin: And Merle, you see this panicked guy in front of you, and you want to help this guy out, but… This guy, you, you can't remember… who that is in front of you. And you see out the windows, and you’re up in the sky? And the details of why that is leave you. Your memories, your time on the beach, your conversations with John, the First Church of Fungston, they're fading. Everything's fading, Merle. The world is coming down around you, you’re lost. Everything is just static.



[static begins]



[static abruptly ends]

Griffin: Taako, you're spending that day, or at least this moment, with Barry. And you're up on the deck of the Starblaster, just sort of looking around at the world below. And as you come out onto the deck you see Barry standing over this table that he's dragged out here, and pinned down is a map. And it's showing all the locations where he has searched for Lup. And he's leaning over this map, his head’s in his hands and you see him just like, nodding off. He's so tired, he's been at this so hard for so long. What do you do, Taako?

Justin: I guess just try to strike up casual conversation.



Griffin: He says- you sort of wake him up, and he kinda like jumps with a start, and he’s like,



Griffin: And he shows you the map and there's some black circles drawn on it, and it's pretty well within... it's fairly close to one of the circles.



Griffin: He says,



[music begins]

[Clint laughs like “oh shit”]

Griffin: He says,



Griffin: And Taako, sure enough- you feel it too. The mongoose family that taught you their language, the meals in Tesseralia, the best day ever, your sister? Those memories are fading, Taako, and they’re nearly gone. And Barry stands up and he says,



Justin: I blast him. I just bla- I’m already blasting him!

Griffin: He is knocked backwards by your spell. Up against the railing on the Starblaster’s deck, and… he looks up at you? And you see a brief, pained smile on his face as he topples backwards and off the ship. And as his body falls, further and further down, you realize… you don’t know who that is. [static begins] And as you fall to your knees on the deck of this ship that has served as your one hundred long years, [his voice begins to become staticky and fade] you realize you don’t know where you are. And you don't know how you got here, and…[intense static]

[static abruptly ends]

Griffin: Magnus, you’ve been worried about Lucretia; she has spent so much time hiding away in her quarters, and you've brought her something to just try and cheer her up. What is it?

Travis: It’s a duck!

[Clint laughs]

Travis: But I personalized it, I made it like, I painted it so it would look like her. But in duck form.

Justin: That’s fun.

Travis: Yeah, I invented that, I definitely didn’t steal that idea from anyone else.

Griffin: You walk in, and, you see her bathed in the light of Fisher’s tank, and she turns to face you, and she has tears in her eyes, Magnus. And behind her, floating in the tank, wrapped in Fisher’s tendrils, is a thick blue book bound with silver trim. You see one of her journals, and it’s being consumed by Fisher, and immediately… the details of your journey are… blurring and vanishing one by one. [background music begins to play] The Bear that taught you the meaning of strength, the victorious season of the Tesseralia Winners, that fish floating in the tank? What is that thing?

Travis: Nooo! No!!

Griffin: Lucretia speaks, and she says,



Griffin: She says,



[static abruptly stops and music plays]

Griffin: Not all exits are made equal.

Lucretia didn't intend to spend as much time as she did away from you, saving the world. She could not live with the cost of what the seven of you did to the world below. She could not sit idly by as the world killed itself pursuing the weapons you created. But she couldn't go against the will of her friends to fix it; and so that will had to be altered.

Moreover, she couldn't handle what the destruction you caused was doing to you. She couldn't bear your sorrow, your pain, your guilt; how it made you... miserable, and calloused, and shut off from the world. That anguish, it could be altered too. Before her work could begin, she had to make sure her friends — her family — were safe and happy.

You were walked to the beach in a daze, Merle. She arranged everything for you: a home, a society you could slot right into. You were so happy back on the beach, and in the years that followed you thrived in that society, you were at peace. You never saw her, but she would check in on you from time to time, when things were most difficult for her. It brought her some small measure of peace to see you lounging in the sand, laid-back, your feet soaking in the retreating sunset tide.

Magnus, your home was the easiest to find. She just found the most prestigious woodworking shop in this whole world, built high atop The Pillars of Raven's Roost. She found you a home, humble, but cozy, with a spacious studio fully outfitted with everything a craftsman might need. In time you'd be invited to take a residency at the Hammer and Tongs, and the years that followed would be filled with joy beyond measure.

Taako, she struggled to find you a place to fit in, because- what home is good enough for Taako? The answer was: there isn't one. Everyone in the world deserved to be around you, Taako, to see what you do, what you're capable of. And you deserve it too, Taako, to be recognized, to be admired by every living person you ever encounter. She finds you a stagecoach, a supplier, an audience. You’re Taako, from TV! And you are so, so loved.

Barry was gone, and she didn't know where to. It was a source of constant distress for Lucretia. Was he out in the world somewhere, his memory purged, lost? She didn't know. The alternative was difficult too: Lucretia had realized, after finding Fisher, that imbibing its ichor made you immune to its power. It was a discovery she made accidentally when she was doused by its family back in the world of the Legato Conservatory. But if Barry became a lich, he could remember too. That much, she knew. She would have to take measures to keep him at arm's length, just in case.

And Lup… Lup was… just… gone. In her limited spare time, she looked. She looked everywhere. But Lup was nowhere to be found, and if she was truly lost, it was another reason to forget. She could hardly bear Lup's absence. How hard would it be for her brother? How hard would it be for her love?

What happened to Davenport was the most challenging side effect of all of this. She was so careful in the redaction; she made sure to just leave in the parts of her journal pertaining to your mission. But Davenport's life was the mission. His memory was so severely edited, it left him a shell of who he was. Most days, he could only say his own name. She would keep him close and ensure his safety herself.

The three of you found happiness in the lives Lucretia made for you, but in enacting this plan Lucretia found little happiness at all. She recovered her relic easily enough. In pursuing the second, though, her journey nearly met its end, in Wonderland. She was trapped, and if not for the selflessness of her companion, a sorcerer she’d hired to explore that place with her, she would have died there.

It was too close, she needed help. She recruited the scientists you discovered upon arriving in this world, the Millers, who helped her found the Bureau of Balance. They built her a headquarters in the sky, and in exchange, she inoculated them, taught them what she knew of the planes, advanced their research in binding souls into robotic forms with the help of a crystal you recovered from the robot kingdom you discovered so many decades ago.

And the Bureau thrived. She installed a series of checks and balances among its members, hoping it would counteract the temptation built into these relics. But it wasn't enough. Without fail, her Reclaimers were lost to the thrall of the grand relics, one by one. And Lucretia was tormented by these failures, by how long this was taking, by how distant she felt from her friends. Few people who have lived have ever experienced such loneliness, such hopelessness.

It was Fisher who provided a way out: a child. A second Voidfish, one that offered a redundancy that could, once and for all, help her gather the relics and cast her barrier around the world. The only people who could recover the relics without succumbing to them were the people who made them in the first place. You could drink from the first fish and learn about the relics, learn just enough to let you recover them, while the second fish could continue suppressing the truth of their origins. You’d know enough to find the relics, but not enough to know that you made them. She could finally bring you in. She could finally bring you home.

[audio from previous episodes begins]

[episode 8]

Griffin: Sitting upon the throne on top of this fancy-ass platform is a human woman in her… you would say about her 50s? Holding a white oak staff.



[episode 29]



[episode 39]



[episode 40]



[audio from previous episodes ends]

Griffin: When you were away on missions, she worried. When you came home, she rejoiced. She tried her hardest not to show it, not to give herself away. With each meal, each Candlenights gift exchanged, the nights spent walking the Bureau’s campus, the trips to the spa— she fought back a smile that you came to treasure during your one hundred year journey. A radiant smile, full of joy and relief.

It’s the same smile you just saw, moments ago, when Magnus burst into the dome, alive again, a mannequin no longer. Her friends were here again. In her hour of greatest need. But that smile is gone now. The Hunger’s here, again. You’ve escaped it a hundred times, but no more. This is it.

This is it!

[Ending theme plays]